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Prompting Voice in Opera
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Prompting Voice in Opera (2011)Prompting Voice in OperaThe Narrator, the Expositor, and the Prompter in European Medieval Theatre (2007)The Narrator, the Expositor, …Stage Fright, Animals, and Other Theatrical Problems (2006)Stage Fright, Animals, and Ot…The Afterlife of Maria Callas's Voice (2005)The Afterlife of Maria Callas…Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (2004)Revealing Masks: Exotic Influ…Untwisting the Serpent: Modernism in Music, Literature and Other Arts (2002)Untwisting the Serpent: Moder…Brecht and method (1999)Brecht and methodA Stranger Here Myself: Kurt Weill-Studien (1995)A Stranger Here Myself: Kurt …Voice Devoured: Artaud and Borges on Dubbing (1993)Voice Devoured: Artaud and Bo…Kurt Weill a Handbook (1987)Kurt Weill a HandbookA New Orpheus. Essays on Kurt Weill (1987)A New Orpheus. Essays on Kurt…Languages of the Stage, Essays in the Semiology of Theatre. (1983)Languages of the Stage, Essay…Writing and Difference (1980)Writing and DifferenceKurt Weill in Europe (1979)Kurt Weill in EuropeA Thousand Plateaus: Capitalism and Schizophrenia (1989)Passionate amateurs: theatre, communism, and love (2014)The theatrical public sphere (2015)The Interpretation of Cultures (2017)Shakespeare, Spectatorship and the Technologies of Performance (2020)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Race and the Education of Desire (1995)Grounded Theory in Management Research (2003)Looking for the blue: The necessity of utopia (2007)Strange spaces: A rationale for bringing art and artists into the planning process (2011)Affect and American literature in the age of neoliberalism (2016)World Music at the "End of History" (2002)The Cambridge Companion to Opera Studies (2012)Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)Picturing Cio-Cio-San: House, screen, and ceremony in Puccini's Madama Butterfly (2000)Modernism and the Machine Woman in Puccini’s ‘Turandot’ (2005)Stefan Wolpe and the Avant-Garde Diaspora (2012)Towards a psychopathology of opera (1997)The Name above the (Sub)Title: Internationalism, Coproduction, and Polyglot European Art Cinema (2001)Sirens of Modernity (2022)Expectation, Confutation, Revelation: Audience Complicity in the Plays of Sam Shepard (1987)‘Best Betrayal’: the Documentation of Performance on Video and Film, Part 2 (1995)From Semiotics to Philosophy: Daring to Ask the Obvious (2015)Singing Brecht vs. Brecht singing: Performance in theory and practice (1993)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)The performance of gesture : musical gesture, then and now (1985)Appendix: Fundamental Issues of Musical Listening (1925) (2011)
this work references cited by second hop

References

  • 1980Writing and Difference7,689 cited
  • 2006Stage Fright, Animals, and Other Theatrical Problems279 cited
  • 2002Untwisting the Serpent: Modernism in Music, Literature and Other Arts185 cited
  • 1999Brecht and method131 cited
  • 1993Voice Devoured: Artaud and Borges on Dubbing38 cited
  • 1983Languages of the Stage, Essays in the Semiology of Theatre.31 cited
  • 2004Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater26 cited
  • 1979Kurt Weill in Europe21 cited
  • 1995A Stranger Here Myself: Kurt Weill-Studien17 cited
  • 1987Kurt Weill a Handbook15 cited
  • 1987A New Orpheus. Essays on Kurt Weill14 cited
  • 2005The Afterlife of Maria Callas's Voice9 cited
  • 2007The Narrator, the Expositor, and the Prompter in European Medieval Theatre8 cited

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