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‘Africa is still our mama’: Kenyan rappers, youth identity, and the revitalization of traditional values

2 references·13 citing·48 second hop

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References

2012The Location of Culture17,820 cited
1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited

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2018Rapping with a Forked Tongue, Code-switching and the Tribalized Kenya of the end of the Twentieth Century in ‘Otongolo Tyme’ by Poxi Presha

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3 cited