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HOMER AND GREGORY: THE TRANSMISSION OF EPIC POETRY AND PLAINCHANT
0 references·16 citing·54 second hopsampled
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  • 2003Improvisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music110 cited
  • 2018Writing Sounds in Carolingian Europe97 cited
  • 1984Reading and singing: on the genesis of occidental music-writing88 cited
  • 1995The Carolingian renaissance: education and literary culture88 cited
  • 1999Mediated Orality: The Role of Popular Music in the Changing Tradition of Children's Musical Play65 cited
  • 2011ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING60 cited
  • 2009The Musical Playground41 cited
  • 2002Notes, scales, and modes in the earlier Middle Ages39 cited
  • 2013Schemas and improvisation in Indian music30 cited
  • 1998Interaction and Improvisation between Dancers and Drummers in Martinican Bele30 cited
  • 2006Improvisation in Iranian and Indian music21 cited
  • 2019Layers and Elasticity in the Rhythm of Noh Songs19 cited
  • 1996The Piano Improvisations of Chick Corea: An Analytical Study.18 cited
  • 2004Church-Sect Dynamics and the Feast of Corpus Christi17 cited
  • 1975Centonate Chant: Centonate or Centonate

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17 cited
  • 2019An Approach to Musical Rhythm in Agbadza14 cited