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Rhetorical strategies of continuity and change in the music of popular artists over time
11 references·2 citing·34 second hop
Rhetorical strategies of continuity and change in the music of popular artists over time (1996)Rhetorical strategies of continuity and c…Feeling and Form (1953) (2026)Feeling and Form (1953)Art as Experience (1934) (2026)Art as Experience (1934)Bruce Springsteen's ambiguous musical politics in the Reagan Era (1992)Bruce Springsteen's ambiguous…Free Jazz and black nationalism: A rhetoric of musical style (1986)Free Jazz and black nationali…The good man singing well: Stevie wonder as noble lover (1985)The good man singing well: St…Born to Run (1984)Born to RunThe Billboard Book of Top 40 Hits (1983)The Billboard Book of Top 40 …Rhetorical ascription and the gospel according to Dylan (1983)Rhetorical ascription and the…The Expression of Emotion in Music (1980)The Expression of Emotion in …The musical form in rhetorical exchange: Theoretical considerations (1972)The musical form in rhetorica…Philosophy in a New Key (1957)Philosophy in a New KeyMass Communication and Identity Construction: Theory and a Case Study of Song-Recordings by a Popular Musician (2009)Mass Communication and Identi…Suburban American Punks and the Musical Rhetoric ofGreen Day's “Jesus of Suburbia” (2008)Suburban American Punks and t…A Grammar of Motives (1969)Native American rhetoric: Dancing in the shadows of the ghost dance (1990)Music as Persuasion: Refuting Hegemonic Masculinity in “He Thinks He'll Keep Her” (1999)The "Illusion of Life" rhetorical perspective: an integrated approach to the study of music as communication (2001)The Prospect of Rhetoric (1973)A time for every purpose under heaven: Rhetorical dimensions of protest music (1981)Critical response and reply (1986)Virtuosity as rhetoric: Agency and transformation in Paganini's mastery of the violin (1998)Emotion and Meaning in Music (1961)The Rhetorical Situation (1968)Women in popular music: A quantitative analysis of feminine images over time (1985)Understanding popular culture (1990)Time Passages: Collective Memory and American Popular Culture. (1991)The ghost of history Bruce Springsteen, Woody Guthrie, and the hurt song (1996)Understanding Popular Culture (2006)Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype (2011)Music and Politics (2018)Entropy and Popular Culture: Product Diversity in the Popular Music Recording Industry (1996)Of Rhythms and Borders (1997)Rebellions of Everynight Life (1997)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)Musical Meaning in a Broader Perspective (2001)Philosophical Perspectives on Art (2007)“You don't train for a marathon sitting on the couch”: Performances of pregnancy ‘fitness’ and ‘good’ motherhood in Melbourne, Australia (2010)Latino Representation in State Houses and Congress (2010)To Emerge? Breadwinning, Motherhood, and Women’s Decisions to Run for Office (2020)The relation of bilingualism to intelligence. (1962)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Strengths Perspective in Social Work Practice: Extensions and Cautions (1996)Space and Place: Humanistic Perspective (1979)Whatever Happened to Organizational Anthropology? A Review of the Field of Organizational Ethnography and Anthropological Studies (1997)The Semiotics of Theatre and Drama (2003)
this work references cited by second hop

References

  • 2026Art as Experience (1934)5,188 cited
  • 1957Philosophy in a New Key1,163 cited
  • 2026Feeling and Form (1953)729 cited
  • 1980The Expression of Emotion in Music172 cited
  • 1984Born to Run113 cited
  • 1983The Billboard Book of Top 40 Hits59 cited
  • 1972The musical form in rhetorical exchange: Theoretical considerations57 cited
  • 1983Rhetorical ascription and the gospel according to Dylan49 cited
  • 1986Free Jazz and black nationalism: A rhetoric of musical style24 cited
  • 1992Bruce Springsteen's ambiguous musical politics in the Reagan Era19 cited
  • 1985The good man singing well: Stevie wonder as noble lover18 cited

Cited by

  • 2009Mass Communication and Identity Construction: Theory and a Case Study of Song-Recordings by a Popular Musician5 cited
  • 2008Suburban American Punks and the Musical Rhetoric ofGreen Day's “Jesus of Suburbia”4 cited

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