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Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 1986Improvised Ornamentation in Eighteenth-Century Orchestras48 cited
• 2005Music in the market-place46 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2016‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND42 cited
• 2010Performance Management in Public Services ‘Before’ New Public Management: The Case of NHS Acute Hospitals 1948-196229 cited
• 1996Performance practice: music, medicine and natural philosophy in Interregnum Oxford26 cited
• 2013An Annotatedlivretof Lully'sRolandas a Source for Seventeenth-Century Declamation15 cited
• 2012The performer and the composer10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2005Form and gesture: canzona, sonata and concerto6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2005Image and eloquence: secular song