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Cited by

• 2002Hollywood Glamour and Mass Consumption in Postwar Italy60 cited
• 2003White Skin, White Mask: Passing, Posing, and Performing in The Great Gatsby51 cited
• 2006“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York38 cited
• 2001Immigrant Stardom in Imperial America: Pola Negri and the Problem of Typology28 cited
• 2001Brownface: Representations of Latin-ness in Dancesport20 cited
• 2006Rethinking Sexuality in the Progressive Era20 cited
• 2016A “Leg Show Dance” in a Skyscraper: The Sequenced Mechanics of John Dos Passos'sManhattan Transfer18 cited
• 2014The Making of an Erogenous Zone6 cited
• 2012Evolution of Dance in the Golden Age of the American “Book Musical”6 cited
• 2012Performance, Authenticity, and the Reflexive Idealism of the American Musical5 cited
• 2014‘Hullo, Ragtime!’West End revue and the Americanisation of popular culture in pre-1914 London3 cited