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Postmodern or Modern: A Different Approach to Darmstadt
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Postmodern or Modern: A Different Approach to Darmstadt (2007)Postmodern or Modern: A Different Approac…Postmodern Music/Postmodern Thought (2013)Postmodern Music/Postmodern T…Im Zenit der Moderne. Die Internationalen Ferienkurse für Neue Musik Darmstadt 1946-1966 (1997)Im Zenit der Moderne. Die Int…Writing Degree Zero (1953)Writing Degree ZeroHerbert Eimert and the Darmstadt School (2020)Herbert Eimert and the Darmst…An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music (2020)An Apprenticeship and Its Sto…Scoring the Rhizome: Bussotti's Musical Diagram (2014)Scoring the Rhizome: Bussotti…John Cage's Entanglement with the Ideas of Coomaraswamy (2011)John Cage's Entanglement with…The complete works of Aristotle (1954)The Complete Works of Aristotle the Revised Oxford Translation (1984)The Location of Culture (2012)Anti-Oedipus: Capitalism and Schizophrenia (1978)Silence : lectures and writings (2011)Deleuze on Music, Painting, and the Arts (2014)Philosophie der neuen Musik (1950)Style and Idea: Selected Writings of Arnold Schoenberg (1975)Adorno's Aesthetics of Music (1993)Minima Moralia: Reflections from Damaged Life (1951)Noise: The Political Economy of Music (1986)Who Paid the Piper?: The CIA and the Cultural Cold War (2002)Heiner Goebbels and Curatorial Composing after Cage (2022)Theory of Prominence (2022)Olivier Messiaen's Turangalîla-symphonie (2023)Text, context, and the fragmentation of contemporary culture (1990)Critical Theory, Poststructuralism, Postmodernism: Their Sociological Relevance (1991)Spoken and Written Language Relationships in Language/Learning-Impaired and Normally Achieving School-Age Children (1992)Recent Approaches to Experimental Music Theatre and Contemporary Opera (2006)The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères (2010)John Cage and David Tudor: correspondence on interpretation and performance (2013)Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores (2006)The Music of Louis Andriessen (2007)Advertising and the conquest of culture (2009)
this work references cited by second hop

References

  • 1953Writing Degree Zero296 cited
  • 2013Postmodern Music/Postmodern Thought151 cited
  • 1997Im Zenit der Moderne. Die Internationalen Ferienkurse für Neue Musik Darmstadt 1946-196626 cited

Cited by

  • 2020Herbert Eimert and the Darmstadt School15 cited
  • 2014Scoring the Rhizome: Bussotti's Musical Diagram14 cited
  • 2011John Cage's Entanglement with the Ideas of Coomaraswamy5 cited
  • 2020An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music4 cited

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