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“Robo-Diva R&B”: Aesthetics, Politics, and Black Female Robots in Contemporary Popular Music
2 references·11 citing·44 second hop
“Robo-Diva R&B”: Aesthetics, Politics, and Black Female Robots in Contemporary Popular Music (2008)“Robo-Diva R&B”: Aesthetics, Politics, an…More Brilliant Than the Sun: Adventures in Sonic Fiction (1998)More Brilliant Than the Sun: …The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)The Problem with White Hipnes…Electric Ladies in Playback (2022)Electric Ladies in PlaybackMainstream popular music research: a musical update (2021)Mainstream popular music rese…Making Voices (2019)Making VoicesVaporwave (2018)VaporwavePopular Music, Stars and Stardom (2018)Popular Music, Stars and Star…Azealia Banks: ‘Chasing Time’, erotics, and body politics (2018)Azealia Banks: ‘Chasing Time’…Fashioning a Post Boy Band Masculinity: On the Seductive Dreamscape of Zayn’sPillowtalk (2016)Fashioning a Post Boy Band Ma…Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’sPartition (2015)Empowered or Objectified? Per…Ageing Grace/Fully: Grace Jones and the Queering of the Diva Myth (2015)Ageing Grace/Fully: Grace Jon…Missy “Misdemeanor” Elliott and Nicki Minaj (2013)Missy “Misdemeanor” Elliott a…The Virtual Idol: Producing and Consuming Digital Femininity (2012)The Virtual Idol: Producing a…Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Black looks: race and representation (1992)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Azealia Banks's “212”: Black Female Identity and the White Gaze in Contemporary Hip-Hop (2016)Status, Votive Luxury, and Labour: The Female Rapper’s Delight (2019)Blues People: Negro Music in White America (1963)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)Vicars of ‘Wannabe’: authenticity and the Spice Girls (2001)Big Ears: Listening for Gender in Jazz Studies (2008)Tape: Or, Rewinding the Phonographic Regime (2017)Black Skin, White Masks (2023)Performing Rites (1996)Reading the Popular (2006)Digital performance: a history of new media in theater, dance, performance art, and installation (2007)Increasingly sexy? Sexuality and sexual objectification in popular music videos, 1995–2016. (2018)Beyond stereotype analysis in critical media literacy: case study of reading and writing gender in pop music videos (2020)Changing Masculinity, One Ad at a Time (2020)Simulacra and Simulation (1995)How We Became Posthuman (1999)How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (2001)‘I produce songs for her …. In this way, I gradually know her more. The more I know her, the more I like her’: Using Collins’ model of interactive ritual chains to study the case of virtual idol fandom in China (2024)Technics and Time, 1 (1998)The Ecstasy of Communication (2007)Retromania: Pop Culture's Addiction to Its Own Past (2011)“Do You Have a Moment to Talk About Vaporwave?” Technology, Memory, and Critique in the Writing on an Online Music Scene (2020)“Wrap You Up in My Blue Hair”: Vocaloid, Hyperpop, and Identity in “Ashnikko Feat. Hatsune Miku – Daisy 2.0” (2022)Satisfaction Guaranteed: Techno-Orientalism in Vaporwave (2022)Knowing Capitalism (2005)Toward a Theory of Gender (2013)Oublier « The grain of the voice » : étudier la voix dans les chansons (2020)Repetition and Performance in the Recording Studio (2024)Innovation in tune: An empirical investigation of user acceptance of artificial intelligence-generated music (2025)Frames of Mind: The Theory of Multiple Intelligences (1984)The reflective practitioner: How professionals think in action (1984)Catchy and conversational? A register analysis of pop lyrics (2021)The Presentation of Self in Everyday Life (2023)Subculture: The Meaning of Style. (1981)Club cultures: music, media and subcultural capital (1996)Western music and its others : difference, representation, and appropriation in music (2000)The audible past: cultural origins of sound reproduction (2003)For More than One Voice (2005)Introduction (2002)Afrofuturism, science fiction, and the history of the future (2006)The Ships Landed Long Ago: Afrofuturism and Black SF (2007)
this work references cited by second hop

References

  • 1998More Brilliant Than the Sun: Adventures in Sonic Fiction617 cited
  • 1995The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint)244 cited

Cited by

  • 2012The Virtual Idol: Producing and Consuming Digital Femininity56 cited
  • 2013Missy “Misdemeanor” Elliott and Nicki Minaj44 cited
  • 2019Making Voices39 cited
  • 2015Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’sPartition31 cited
  • 2018Vaporwave21 cited
  • 2021Mainstream popular music research: a musical update13 cited
  • 2018Popular Music, Stars and Stardom10 cited
  • 2022Electric Ladies in Playback9 cited
  • 2016Fashioning a Post Boy Band Masculinity: On the Seductive Dreamscape of Zayn’sPillowtalk7 cited
  • 2018Azealia Banks: ‘Chasing Time’, erotics, and body politics4 cited
  • 2015Ageing Grace/Fully: Grace Jones and the Queering of the Diva Myth4 cited

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