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Hawai'i's “Local” Theatre
7 references·2 citing·27 second hop
Hawai'i's “Local” Theatre (2000)Hawai'i's “Local” TheatreThe Feminist Spectator as Critic (2012)The Feminist Spectator as Cri…Performing Asian America: Race and Ethnicity on the Contemporary Stage (1999)Performing Asian America: Rac…Invoking "The Native": Body Politics in Contemporary Hawaiian Tourist Shows (1997)Invoking "The Native": Body P…But still, like air, I'll rise: new Asian American plays (1997)But still, like air, I'll ris…Theatre & Everyday Life: An Ethics of Performance (1993)Theatre & Everyday Life: An E…Theatre Audiences: A Theory of Production and Reception (1990)Theatre Audiences: A Theory o…Hawaiian Music and Musicians: An Illustrated History (1979)Hawaiian Music and Musicians:…Masculine Compensation and Masculine Balance: Notes on the Hawaiian Cockfight (2017)Masculine Compensation and Ma…Connected Disconnection and Localized Globalism in Pacific Multilingual Literature (2004)Connected Disconnection and L…The Dialogic Imagination: Four Essays (1981)The Location of Culture (2012)Borderlands/La Frontera: The New Mestiza (2017)Postcolonial Pacific Poetries: Becoming Oceania (2017)The Cambridge Companion to Postcolonial Poetry (2017)Doing Gender (1987)Hegemonic Masculinity (2005)The Interpretation of Cultures (2017)The Routledge Reader in Politics and Performance (2002)What else? some more ways of thinking and doing ‘Children's Geographies’ (2006)The Cambridge Introduction to Scenography (2009)Black Panthers, Red Guards, and Chinamen: Constructing Asian American Identity through Performing Blackness, 1969-1972 (2005)Contemporary Latina/o Theater: Wrighting Ethnicity (2008)The racial mundane: Asian American performance and the embodied everyday (2017)The Anthropology of Theater and Spectacle (1993)Stage Fright, Animals, and Other Theatrical Problems (2006)The Cambridge Introduction to Theatre Studies (2008)National Erotica, The Politics of “Traditional” Dance in Tanzania (2001)Dance, representation, and politics of bodies: ‘thick description’ of Tahitian dance in Hawai‘ian tourism industry (2010)Development Strategies for P acific I sland Economies: Is There a Role for the Cultural Industries? (2015)Crucial Advice on how to Get the Guy: The Rhetorical Vision of Power and Seduction in the Teen Magazine YM (1996)Playful Reconstruction of Gender in P'ansori Storytelling (1998)Trying (on) Gender: Modern Greek Productions of Aristophanes' Thesmophoriazusae (2002)Hawaiians on Tour: Hula Circuits Through the American Empire (2004)He Lei Ho'oheno no na Kau a Kau: Language, Performance and Form in Hawaiian Poetry (2005)Aloha State Apparatuses (2015)“More Than You Ever Knew You Knew”: The Rising Prestige of Fiction (2015)
this work references cited by second hop

References

  • 1990Theatre Audiences: A Theory of Production and Reception394 cited
  • 1993Theatre & Everyday Life: An Ethics of Performance126 cited
  • 2012The Feminist Spectator as Critic113 cited
  • 1999Performing Asian America: Race and Ethnicity on the Contemporary Stage67 cited
  • 1979Hawaiian Music and Musicians: An Illustrated History66 cited
  • 1997But still, like air, I'll rise: new Asian American plays49 cited
  • 1997Invoking "The Native": Body Politics in Contemporary Hawaiian Tourist Shows30 cited

Cited by

  • 2004Connected Disconnection and Localized Globalism in Pacific Multilingual Literature29 cited
  • 2017Masculine Compensation and Masculine Balance: Notes on the Hawaiian Cockfight17 cited

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