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Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England.
0 references·16 citing·41 second hop
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  • 2015Comic Acting and Portraiture in Late-Georgian and Regency England75 cited
  • 2008The Illustrated Shakespeare, 1709–187570 cited
  • 2009Towards a bibliometric analysis of the surviving record, 1701–180061 cited
  • 2009The book as a commodity45 cited
  • 2009Children’s books and school-books43 cited
  • 2005Personal Effects: Wigs and Possessive Individualism in the Long Eighteenth Century37 cited
  • 2015The Non-Taxonomical Mayhew33 cited
  • 1999Culture and the Arts29 cited
  • 2009The reprint trade29 cited
  • 1997Passion and Fashion in Joanna Baillie's “Introductory Discourse”29 cited
  • 2008Rewritten and Reused: Imaging the Nabob through “Upstart Iconography”28 cited
  • 2009Copyright, authors and censorship28 cited
  • 2009Judging pictures: a case study of portraits of the Chief Justices, Supreme Court of New South Wales27 cited
  • 2012Cultural Cross-Dressing: Posing and Performance in Orientalist Portraits23 cited
  • 2009Newspapers and the sale of books in the provinces19 cited

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2004
Designs on the City: John Gwynn's Plans for Georgian London
19 cited