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Music for the Revolution: Musicians and Power in Early Soviet Russia
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Cited by

  • 2007Déjà Vu? Folk Music, Education, and Institutionalization in Contemporary England6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Other classical repertories4 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2013The symphony in Britain: guardianship and renewal3 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2022Musical Evolution and the Other: From State-Sponsored Musical Evolutionism in the USSR to Post-Soviet Crimean Tatar Indigenous Music3 cited
  • 2013Introduction: understanding the symphony3 cited
  • 2013Beethoven’s shadow: the nineteenth century3 cited
  • 2013The symphony since Mahler: national and international trends2 cited
  • 2013Harmonies and effects: Haydn and Mozart in parallel2 cited
  • 2013Tonal strategies in the nineteenth-century symphony2 cited
  • 2022Everyday Symphonism

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2 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited