SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sturgeon Glue for Painting Consolidation in Russia
6 references·2 citing·21 second hop
Sturgeon Glue for Painting Consolidation in Russia (1993)Sturgeon Glue for Painting Consolidation …The New Encyclopaedia Britannica (1991)The New Encyclopaedia Britann…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…The Artist's Handbook of Materials and Techniques (1983)The Artist's Handbook of Mate…Ancient skins, parchments and leathers (1972)Ancient skins, parchments and…The materials and techniques of medieval painting (1956)The materials and techniques …The Artist's Handbook of Materials and Techniques (1940)The Artist's Handbook of Mate…Remoistenable temporary supports for facing of canvas paintings (2021)Remoistenable temporary suppo…‘Fräulein Huth’ and the red seaweed: Consolidation of a collage by Kurt Schwitters with JunFunori® (2004)‘Fräulein Huth’ and the red s…Ultrasonic Misting. Part 2, Treatment Applications (1997)Papermaking: The History and Technique of An Ancient Craft (1943)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Colour and art: A brief history of pigments (2005)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments (1998)Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry (2005)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Study of the chemical composition and the mechanical behaviour of 20th century commercial artists' oil paints containing manganese-based pigments (2015)Origins of the modern mind: three stages in the evolution of culture and cognition (1992)Federal Republic of Nigeria (2009)The Flipped Classroom: A Survey of the Research (2020)The Cambridge History of the Book in Britain (2008)Prehension and Hafting Traces on Flint Tools: A Methodology (2010)Species Identification of Archaeological Skin Objects from Danish Bogs: Comparison between Mass Spectrometry-Based Peptide Sequencing and Microscopy-Based Methods (2014)
this work references cited by second hop

References

  • 1991The New Encyclopaedia Britannica1,583 cited
  • 1988The Organic Chemistry of Museum Objects686 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 1972Ancient skins, parchments and leathers198 cited
  • 1940The Artist's Handbook of Materials and Techniques122 cited
  • 1983The Artist's Handbook of Materials and Techniques105 cited

Cited by

  • 2004‘Fräulein Huth’ and the red seaweed: Consolidation of a collage by Kurt Schwitters with JunFunori®3 cited
  • 2021Remoistenable temporary supports for facing of canvas paintings1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work