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Historical pigments characterisation by quantitative X-ray fluorescence
16 references·4 citing·29 second hop
Historical pigments characterisation by quantitative X-ray fluorescence (2013)Historical pigments characterisation by q…SANDRA: a portable XRF system for the study of Mexican cultural heritage (2010)SANDRA: a portable XRF system…Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Raman microscopy and x-ray fl…μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts (2008)μ-XRF/μ-RS vs. SR μ-XRD for p…Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers (2008)Complementary use of the Rama…ColoRaman project: Raman and fluorescence spectroscopy of oil, tempera and fresco paint pigments (2004)ColoRaman project: Raman and …Pigment identification by spectroscopic means: an arts/science interface (2002)Pigment identification by spe…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)ArtTAX – a new mobile spectro…X-ray fluorescence spectrometry in art and archaeology (2000)X-ray fluorescence spectromet…Paintings? a challenge for XRF and PIXE analysis (2000)Paintings? a challenge for XR…Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Analysis of pigments and inks…Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Spectrochemical characterizat…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…The Artist's Handbook of Materials and Techniques (1983)The Artist's Handbook of Mate…4 LEAD-TIN YELLOW (1968)4 LEAD-TIN YELLOWThe Artist's Handbook of Materials and Techniques (1940)The Artist's Handbook of Mate…A combination of invasive and non-invasive techniques for the study of the palette and painting structure of a copy of Raphael's Transfiguration of Christ (2021)A combination of invasive and…In situ diagnostic analysis of the XVIII century Madonna della Lettera panel painting (Messina, Italy) (2019)In situ diagnostic analysis o…XRF analysis to identify historical photographic processes: The case of some Interguglielmi Jr.’s images from the Palermo Municipal Archive (2017)XRF analysis to identify hist…Characterization of Sorolla's gouache pigments by means of spectroscopic techniques (2015)Characterization of Sorolla's…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopy analysis of pigments on 16–17th c. Persian manuscripts (2012)Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research (2016)An alternative approach to mapping pigments in paintings with hyperspectral reflectance image cubes using artificial intelligence (2020)The materials and techniques of medieval painting (1956)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)Modern analytical methods in art and archaeology (2000)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques (2006)The Vercelli Gospels laid open: an investigation into the inks used to write the oldest Gospels in Latin (2008)Painting Materials: A Short Encyclopedia (2011)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Analytical chemistry in the field of cultural heritage (2015)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments (1998)Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry (2005)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)The application of LIBS for the analysis of archaeological ceramic and metal artifacts (2002)Non-destructive analysis and testing of museum objects: An overview of 5 years of research (2005)Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Study of the chemical composition and the mechanical behaviour of 20th century commercial artists' oil paints containing manganese-based pigments (2015)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000X-ray fluorescence spectrometry in art and archaeology267 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 2001ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects160 cited
  • 1999Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art143 cited
  • 1940The Artist's Handbook of Materials and Techniques122 cited
  • 1983The Artist's Handbook of Materials and Techniques105 cited
  • 2000Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry103 cited
  • 2010Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings99 cited
  • 2000Paintings? a challenge for XRF and PIXE analysis92 cited
  • 2008μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts87 cited
  • 19684 LEAD-TIN YELLOW78 cited
  • 2008Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers

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78 cited
  • 2010SANDRA: a portable XRF system for the study of Mexican cultural heritage77 cited
  • 2004ColoRaman project: Raman and fluorescence spectroscopy of oil, tempera and fresco paint pigments75 cited
  • Cited by

    • 2019In situ diagnostic analysis of the XVIII century Madonna della Lettera panel painting (Messina, Italy)22 cited
    • 2021A combination of invasive and non-invasive techniques for the study of the palette and painting structure of a copy of Raphael's Transfiguration of Christ17 cited
    • 2015Characterization of Sorolla's gouache pigments by means of spectroscopic techniques15 cited
    • 2017XRF analysis to identify historical photographic processes: The case of some Interguglielmi Jr.’s images from the Palermo Municipal Archive14 cited