A City in Search of an Author: The Literary Identity of Trieste

John Gatt‐Rutter · Katia Pizzi

22 citations0/0 files storedThe Modern Language Review

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Italian Literature and Culture Central European Literary Studies European Cultural and National Identity

Abstract

Chronology (1910-1996) Introduction Chapter I: Literary Trieste, Triestine Literature and Triestinita 1. Triestine Literature: A Definition 2. The Heritage of the Pre-war Generation 3. The 'Myth of Trieste' 4. Literary Endogamy 5. Imagined Topographies Chapter II: 'Letteratura di Frontiera-Letteratura di Frontiere' 1. The Unbearable Lightness of the Border 2. A Maternal Border 3. The Foiba: Myth and History Chapter III: The Myth of an Italian Motherland 1. Irredentismo: A Local Brand of Nationalism 2. Cultural Delay a. Trieste and the Heritage of the Risorgimento b. Trieste and the Two World Wars c. Trieste and Romanticism 3. Italianita 4. Maternal Nationalism and the Italian Motherland Chapter IV: 'Quate triestinita?': Gender, Confession, Ethnicity 1. Women's Writing a. Jewish Writers b. Anti-Slav Writers c. Emancipated Writers 2. The Jewish Community in Trieste a. The Family b. The Years of Psychoanalysis 3. Italy Looks East Concluding Remarks Bibliography Indexes

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 22 citations exist upstream.

Cited by

2015Losing Orientation: Enzo Bettiza’s Esilio and the Memory of World War II on the Adriatic Border 2012"L'imperialismo, come la lebbra, si cura con la morte" Intersecting Narratives in Ennio Flaiano's Tempo di uccidere.2016Un’identità translingue: la lingua “collage” di Bobi Bazlen 2017“Che fronte di uomo di genio!”: Woman, Genius, and Modernity in Haydée’s Faustina Bon 2020The Art of Writing from the Border: Narrative Decentralisation and Pluricultural Identity Construction in Tomizza’s Franziska (1996)

Imported from OpenAlex (CC0) — nothing here is generated.