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A Revolutionary Romance: Particularity and Universality in Karen Tei Yamashita's I Hotel
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References

  • 1997Immigrant Acts: On Asian American Cultural Politics.1,759 cited
  • 1989The Sixties: Years of Hope, Days of Rage1,065 cited
  • 2004Saint Paul: the foundation of universalism801 cited
  • 1993Asian American panethnicity: bridging institutions and identities743 cited
  • 2001Racial castration: managing masculinity in Asian America679 cited
  • 2002Everybody was Kung Fu fighting: Afro-Asian connections and the myth of cultural purity652 cited
  • 1982The Holy Bible438 cited
  • 1989The Personal is Political:438 cited
  • 2008In Defense of Lost Causes299 cited
  • 2003Revolution in the air: sixties radicals turn to Lenin, Mao and Che260 cited
  • 2000[Radical Feminism: A Documentary Reader]159 cited
  • 2000Asian American Studies: A Reader126 cited
  • 2000Legacy to liberation : politics and culture of revolutionary Asian Pacific America119 cited
  • 1999Narrating nationalisms: ideology and form in Asian American literature109 cited
  • 2004Asian North American identities: beyond the hyphen87 cited
  • 2007"We Are Not the World": Global Village, Universalism, and Karen Tei Yamashita's Tropic of Orange

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