Heretics and Infidels: TheCantigas de Santa Maríaas Ideological Instrument of Cultural Codification

María Dolores Bollo-Panadero

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Medieval Iberian Studies Medieval Literature and History Medieval and Early Modern Iberia

Abstract

In the Cantigas de Santa María, King Alfonso X unveils an intricate cultural, political, and economic system that defines the relationship between Christian society and religious minorities. This article illustrates that the Cantigas must be understood as an ideological instrument of cultural codification that reaffirms the established Christian social order in relation to three principal groups: heretics, Jews, and Muslims.

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References

1978Violence and the Sacred.1985Etymologies and Genealogies. A Literary Anthropology of the French Middle Ages 1971The Jew in the Cántigas of Alfonso X, El Sabio 1977Medieval heresy: Popular movements from Bogomil to Hus 1992Dissent and order in the Middle Ages: the search for legitimate authority 1979The central rôle of the troubadour "persona" of Alfonso X in the "Cantigas de Santa Maria"1999Daily Life Depicted in the "Cantigas de Santa Maria"1981Alfonso X el Sabio.Cantigas de Santa Maria. Edición facsímil del Códice T.I.1 de la Biblioteca de San Lorenzo el Real de El Escorial. Siglo XIII. 2 vols. Madrid: Edilán, 1979

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