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Benshi and the Introduction of Motion Pictures to Japan
5 references·0 citing·10 second hop
Benshi and the Introduction of Motion Pictures to Japan (2000)Benshi and the Introduction of Motion Pic…Writing a pure cinema : articulations of early Japanese film (1996)Writing a pure cinema : artic…Rakugo: The Popular Narrative Art of Japan (1992)Rakugo: The Popular Narrative…The Blue-Eyed Storyteller: Henry Black and His Rakugo Career (1983)The Blue-Eyed Storyteller: He…To the Distant Observer: Form and Meaning in the Japanese Cinema (1981)To the Distant Observer: Form…16. Medieval Jongleurs and the Making of a National Literature (1977)16. Medieval Jongleurs and th…Before anime : animation and the Pure Film Movement in pre-war Japan (2002)Flashes of the Sword and the Star (2013)Doubleness and idiosyncrasy in cross‐cultural analysis (1991)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Cinema of actuality: Japanese avant-garde filmmaking in the season of image politics (2014)Sukeroku’s Double Identity (1982)The Cambridge History of Japan (1990)The Buddhist Mythmaking of Defilement: Sacred Courtesans in Medieval Japan (1993)Travel and Tabibanashi in the Early Modern Period: Forming Japanese Geographic Identity (2008)Japan and the Internationalization of the Serial Fiction Market (2003)
this work references cited by second hop

References

  • 1981To the Distant Observer: Form and Meaning in the Japanese Cinema223 cited
  • 197716. Medieval Jongleurs and the Making of a National Literature147 cited
  • 1996Writing a pure cinema : articulations of early Japanese film32 cited
  • 1992Rakugo: The Popular Narrative Art of Japan11 cited
  • 1983The Blue-Eyed Storyteller: Henry Black and His Rakugo Career9 cited

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