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The Symphonies of Joseph Haydn
0 references·6 citing·17 second hop
The Symphonies of Joseph Haydn (1956)The Symphonies of Joseph HaydnThe Cambridge Haydn Encyclopedia (2019)The Cambridge Haydn Encyclope…Surprise Without a Cause?. ‘False Recapitulations’ in the Classical Repertoire and the Modern Paradigm of Sonata Form (2013)Surprise Without a Cause?. ‘F…The Germanic symphony in the eighteenth century: Bridge to the romantic era (1984)The Germanic symphony in the …Georg Joseph Vogler and the "Second Theme" in Sonata Form: Some 18th-Century Perceptions of Musical Contrast (1983)Georg Joseph Vogler and the "…Mozart, Haydn and the Sinfonia da Chiesa (1982)Mozart, Haydn and the Sinfoni…The Aria in Opera Seria, 1725–1780 (1961)The Aria in Opera Seria, 1725…Mozart, His Character, His Work (1945)Toward the Revival of the Classical Orchestra (1976)Classic Music: Expression, Form, and Style (1981)The Letters of Mozart and His Family. (1966)Francesco Galeazzi's Description (1796) of Sonata Form (1968)Vogler's Method of Singing (1998)Conceptions of Musical Unity in the 18th Century (2001)Die Musik in Geschichte und Gegenwart (1989)Time, Morality, and Humanity in Beethoven's "Pastoral" Symphony (1997)Eighteenth-century symphonies: an unfinished dialogue (2009)The Present State of Music in Germany, the Netherlands, and United Provinces (2014)Der vollkommene Capellmeister (2025)Emotion and Meaning in Music (1957)Women, Fire, and Dangerous Things (1987)Distinction: A Social Critique of the Judgement of Taste. (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Reassembling the Social (2005)
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Cited by

  • 1982Mozart, Haydn and the Sinfonia da Chiesa44 cited
  • 1983Georg Joseph Vogler and the "Second Theme" in Sonata Form: Some 18th-Century Perceptions of Musical Contrast18 cited
  • 2019The Cambridge Haydn Encyclopedia18 cited
  • 1984The Germanic symphony in the eighteenth century: Bridge to the romantic era14 cited
  • 1961The Aria in Opera Seria, 1725–17805 cited
  • 2013Surprise Without a Cause?. ‘False Recapitulations’ in the Classical Repertoire and the Modern Paradigm of Sonata Form3 cited

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