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In quest of the period ear
0 references·8 citing·26 second hop
In quest of the period ear (1997)In quest of the period earWho Listens? (2025)Who Listens?MUSICALISING HISTORY (2019)MUSICALISING HISTORYCrowdsourcing Linked Data on listening experiences through reuse and enhancement of library data (2018)Crowdsourcing Linked Data on …Playing with history: the historical approach to musical performance (2003)Playing with history: the his…Playing with History (2002)Playing with HistoryNegotiating between work, composer and performer: rewriting the story of notational progress (2002)Negotiating between work, com…Joining the historical performance debate (2002)Joining the historical perfor…Performing the (Sound)World (2000)Performing the (Sound)WorldThe Postmodern Condition: A Report on Knowledge (1984)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Contingency, Irony, and Solidarity (1989)On Musical Mediation: Ontology, Technology and Creativity (2005)The End of Early Music (2007)Compositions, Scores, Performances, Meanings (2012)The Intentional Stance (1987)Bach's Dialogue with Modernity (2010)Performing Civility (2015)Noise: The Political Economy of Music (1986)Social Formation and Symbolic Landscape (1986)Questions of Cultural Identity (1997)Editorial: Emotional geographies (2001)An event of geographical ethics in spaces of affect (2003)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)In quest of the period ear (1997)A Survey On Music Listening And Management Behaviours. (2012)Music & the British Military in the Long Nineteenth Century (2013)Understanding audiences (2020)Scenes from the Drama of European Literature (1985)The Audible Past (2003)The Cultural study of music: a critical introduction (2003)The Scree Test For The Number Of Factors (1966)Women, Fire, and Dangerous Things (1987)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)
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Cited by

  • 2002Playing with History252 cited
  • 2000Performing the (Sound)World183 cited
  • 2003Playing with history: the historical approach to musical performance119 cited
  • 2018Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data17 cited
  • 2019MUSICALISING HISTORY16 cited
  • 2002Joining the historical performance debate3 cited
  • 2002Negotiating between work, composer and performer: rewriting the story of notational progress3 cited
  • 2025Who Listens?2 cited

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