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This critical reading of The Vagina Monologues examines the play's circulation within dominant discourses of public and private and considers the ways in which the play works to reconfigure the female body and body-related issues as properly public. However, this article also begins to explore the potentially essentialist and reductive nature of the play's construction of female identity.
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Stored only when both papers are in the corpus — 16 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.