SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
For Want of a Better Term?: Polyphony and the Value of Music in Bakhtin and Kundera
16 references·1 citing·29 second hop
For Want of a Better Term?: Polyphony and the Value of Music in Bakhtin and Kundera (2003)For Want of a Better Term?: Polyphony and…Introduction to a Philosophy of Music (2002)Introduction to a Philosophy …The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Conventional Wisdom: The Content of Musical Form (2000)Conventional Wisdom: The Cont…The Musicalization of Fiction.A Study in the Theory and History of Intermediality. (1999)The Musicalization of Fiction…Social Formalism: The Novel in Theory from Henry James to the Present (1999)Social Formalism: The Novel i…The classical style: Haydn, Mozart, Beethoven (1997)The classical style: Haydn, M…Towards a Postmodern Theory of Narrative (1996)Towards a Postmodern Theory o…Culture and Imperialism. (1994)Culture and Imperialism.Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Unsung Voices: Opera and Musi…Can One Speak of Narrativity in Music? (1990)Can One Speak of Narrativity …The Responsibility of Forms: Critical Essays on Music, Art, and Representation (1986)The Responsibility of Forms: …Problems of Dostoevsky's Poetics (1985)Problems of Dostoevsky's Poet…The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Fou…The Book of Laughter and Forgetting (1981)The Book of Laughter and Forg…Philosophy of Modern Music (1976)Philosophy of Modern MusicStyle and Idea: Selected Writings of Arnold Schoenberg (1975)Style and Idea: Selected Writ…The polyphonic film (2008)The polyphonic filmPromotional Culture (1991)Is Telling Stories Good for Democracy? Rhetoric in Public Deliberation after 9/11 (2006)Weak Theory in an Unfinished World (2008)Popular Culture as Oppositional Culture: Rap as Resistance (1997)After Adorno : rethinking music sociology (2003)The Total Work of Art in European Modernism (2011)The Aesthetics of Music (1981)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Anthropology and Voice (2014)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Cadential processes: The evaded cadence and the “one more time” technique (1992)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Switchings under uncertainty: The coming and becoming of meanings (2010)Culture and the categorization of emotions. (1991)NARRATING THE SELF (1996)Terror Management Theory of Self-Esteem and Cultural Worldviews: Empirical Assessments and Conceptual Refinements (1997)Language and Social Relations (2006)A Dialogical Approach to the Creation of New Knowledge in Organizations (2009)Translanguaging in the Bilingual Classroom: A Pedagogy for Learning and Teaching? (2010)Gender, Crime, and Desistance: Toward a Theory of Cognitive Transformation (2002)Publics and counterpublics (2003)Foundations of Place: A Multidisciplinary Framework for Place-Conscious Education (2003)The social model of disability: An outdated ideology? (2004)Epistemic Freedom in Africa (2018)Musical Understandings and Other Essays on the Philosophy of Music (2011)Musical improvisation skill in a prospective partner is associated with mate value and preferences, consistent with sexual selection and parental investment theory: Implications for the origin of music (2017)Choreography Invisible (2020)
this work references cited by second hop

References

  • 1981The Dialogic Imagination: Four Essays9,726 cited
  • 1994Culture and Imperialism.6,527 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1985Problems of Dostoevsky's Poetics1,851 cited
  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1981The Book of Laughter and Forgetting540 cited
  • 1986The Responsibility of Forms: Critical Essays on Music, Art, and Representation432 cited
  • 1997The classical style: Haydn, Mozart, Beethoven428 cited
  • 1976Philosophy of Modern Music314 cited
  • 2002Introduction to a Philosophy of Music307 cited
  • 2000Conventional Wisdom: The Content of Musical Form250 cited
  • 1975Style and Idea: Selected Writings of Arnold Schoenberg237 cited
  • 1999The Musicalization of Fiction.A Study in the Theory and History of Intermediality.228 cited
  • 1999Social Formalism: The Novel in Theory from Henry James to the Present167 cited
  • 1990Can One Speak of Narrativity in Music?166 cited
  • 1996Towards a Postmodern Theory of Narrative160 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

  • 2008The polyphonic film14 cited