Defining the Renaissance virtuosa: women artists and the language of art history and criticism

Abstract

List of illustrations Acknowledgments 1. Introduction 2. Problems of praise and Pythagorean contrariety 3. (Pro)creativity 4. Melancholia: a case study 5. La donnesca mano 6. Misplaced modifiers 7. 'femmina masculo e masculo femmina' Appendix I. A roster of sixteenth-century Italian women artists Appendix II. Rime, Madrigali, and other early writings on artists and art Notes Bibliography Index.

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