SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Walter Frye and the Contenance angloise
0 references·8 citing·33 second hop
Walter Frye and the Contenance angloise (1966)Walter Frye and the Contenance angloiseSimon Mellet, scribe of Cambrai Cathedral (1999)Simon Mellet, scribe of Cambr…From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)From Maker to Composer: Impro…The Style of Walter Frye and an anonymous mass in Brussels, Koninklijke Bibliotheek, manuscript 5557 (1992)The Style of Walter Frye and …In Praise of Spurious Saints: The "Missae Floruit egregiis" by Pipelare and La Rue (1991)In Praise of Spurious Saints:…The origins of San Pietro b 80 and the development of a Roman sacred repertory (1981)The origins of San Pietro b 8…Stylistic Inconsistencies in a Kyrie Attributed to Dufay (1975)Stylistic Inconsistencies in …Dufay at Cambrai: Discoveries and Revisions (1975)Dufay at Cambrai: Discoveries…The Beginnings of Fauxbourdon: A New Interpretation (1971)The Beginnings of Fauxbourdon…The Notation of Polyphonic Music, 900-1600 (1950)A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice (1966)Studies in Medieval and Renaissance Music (2018)Guillaume Du Fay (2019)Census-catalogue of manuscript sources of polyphonic music, 1400-1550 (1979)Book production and publishing in Britain, 1375-1475 (1990)Composing Community in Late Medieval Music (2019)Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice (2019)Source Readings in Music History (1950)A History of Western Music (1960)The Contenance Angloise: English Influence on Continental Composers of the Fifteenth Century (1987)Guillaume Du Fay's benefices and his relationship to the court of Burgundy (1988)The Universities of Europe in the Middle Ages (2010)Improvisation: Its Nature And Practice In Music (1980):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)Playing with History (2002)Orality and Literacy (2003)Playing with history: the historical approach to musical performance (2003)Virtuosity and the Musical Work (2003)The Cult of the Saints: Its Rise and Function in Latin Christianity (1981)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)St. Anne in Renaissance music: devotion and politics (2014)The vision of William concerning 'Piers the Plowman' (1867)A New English Dictionary, on Historical Principles (1889)European politics and the distribution of music in the early fifteenth century (1981)The English Works of Wyclif Hitherto Unprinted (2001)Improvisation: Performer as Co-composer (2012)Music in the Renaissance (1954)Die Musik in Geschichte und Gegenwart (1989)Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music (2010)Music, Silence, and the Senses in a Late Fifteenth-Century Book of Hours (2017)Music in Late Medieval Bruges (1986)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1996From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500296 cited
  • 1975Dufay at Cambrai: Discoveries and Revisions115 cited
  • 1999Simon Mellet, scribe of Cambrai Cathedral9 cited
  • 1981The origins of San Pietro b 80 and the development of a Roman sacred repertory8 cited
  • 1975Stylistic Inconsistencies in a Kyrie Attributed to Dufay6 cited
  • 1991In Praise of Spurious Saints: The "Missae Floruit egregiis" by Pipelare and La Rue5 cited
  • 1971The Beginnings of Fauxbourdon: A New Interpretation4 cited
  • 1992The Style of Walter Frye and an anonymous mass in Brussels, Koninklijke Bibliotheek, manuscript 55572 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work