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From Ground Zero to Degree Zero: Akira from Origin to Oblivion
11 references·0 citing·32 second hop
From Ground Zero to Degree Zero: Akira from Origin to Oblivion (2014)From Ground Zero to Degree Zero: Akira fr…Tokyo cyberpunk: posthumanism in Japanese visual culture (2011)Tokyo cyberpunk: posthumanism…Implicational Spectatorship: Hara Setsuko and the Queer Joke (2011)Implicational Spectatorship: …Born of Trauma: Akira and Capitalist Modes of Destruction (2008)Born of Trauma: Akira and Cap…Little Boy: The Arts of Japan's Exploding Subculture (2005)Little Boy: The Arts of Japan…Watching Anime, Reading Manga : 25 Years of Essays and Reviews (2004)Watching Anime, Reading Manga…The Worlds of Japanese Popular Culture: Gender, Shifting Boundaries and Global Cultures (1999)The Worlds of Japanese Popula…Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. Edited by Mick Broderick. London and New York: Kegan Paul International, 1996. 255 pp. (1998)Hibakusha Cinema: Hiroshima, …Simulacra and Simulation (1995)Simulacra and SimulationPanic Sites: The Japanese Imagination of Disaster from Godzilla to Akira (1993)Panic Sites: The Japanese Ima…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…Writing and Difference (1980)Writing and DifferenceMITI and the Japanese Miracle. The Growth of Industrial Policy, 1925—1975 (1983)War and Cinema: The Logistics of Perception (1991)History and Memory after Auschwitz (1998)Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature (2010)Speciesism, Part II: Tezuka Osamu and the Multispecies Ideal (2010)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Race and the Education of Desire (1995)Grounded Theory in Management Research (2003)Simulacra and Simulation (2007)The Mediatization of Society (2008)Rethinking Populism: Politics, Mediatisation and Political Style (2013)Territoriality and beyond: problematizing modernity in international relations (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Toward a Theory of Gender (2013)The Russians Are Coming The Russians Are Coming (1966): Reconsidering Hollywood's Cold War “Turn” of the 1960s (2010)Italian news coverage of radiation in the early decades of the twentieth century: A qualitative and quantitative analysis (2014)Disaster Media: Bending the Curve of Ecological Disruption and Moving toward Social Justice (2020)Globalizing Manga: From Japan to Hong Kong and Beyond (2006)Can Cool Japan save Post‐Disaster Japan? On the Possibilities and Impossibilities of a Cool Japanology (2011)Tracking Memes in the Wild: Visual Rhetoric and Image Circulation in Environmental Communication (2022)Owning the Olympics (2008)Akihabara: Conditioning a Public "Otaku" Image (2010)Speciesism, Part III: Neoteny and the Politics of Life (2011)Female Subjectivity andShoujo(Girls)Manga(Japanese Comics):Shoujoin Ladies' Comics and Young Ladies' Comics (2003)Gender, Race and National Identity: Nations of Flesh and Blood (2008)Looking into the “Anime Global Popular” and the “Manga Media”: Reflections on the Scholarship of a Transnational and Transmedia Industry (2019)VIDEO GAMES LOCALISATION: POSING NEW CHALLENGES TO THE TRANSLATOR (2007)The Many Faces of Internationalization in Japanese Anime (2008)What Race Do They Represent and Does Mine Have Anything to Do with It? Perceived Racial Categories of Anime Characters (2009)The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii (2014)Hatsune Miku, Virtual Machine-Woman (2016)Introduction: The Japanese Robot and Performance (2016)
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References

  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1980Writing and Difference7,689 cited
  • 1995Simulacra and Simulation6,889 cited
  • 2004Watching Anime, Reading Manga : 25 Years of Essays and Reviews93 cited
  • 1993Panic Sites: The Japanese Imagination of Disaster from Godzilla to Akira82 cited
  • 2005Little Boy: The Arts of Japan's Exploding Subculture47 cited
  • 2011Tokyo cyberpunk: posthumanism in Japanese visual culture32 cited
  • 1999The Worlds of Japanese Popular Culture: Gender, Shifting Boundaries and Global Cultures29 cited
  • 2008Born of Trauma: Akira and Capitalist Modes of Destruction21 cited
  • 1998Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. Edited by Mick Broderick. London and New York: Kegan Paul International, 1996. 255 pp.14 cited
  • 2011Implicational Spectatorship: Hara Setsuko and the Queer Joke8 cited

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