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Moving Beyond Motion: Metaphors for Changing Sound
4 references·9 citing·49 second hop
Moving Beyond Motion: Metaphors for Changing Sound (2003)Moving Beyond Motion: Metaphors for Chang…Music Grooves: Essays and Dialogues (2000)Music Grooves: Essays and Dia…Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Bodily Hearing: Physiological…The contemporary theory of metaphor (1993)The contemporary theory of me…Cognitive constraints on compositional systems (1992)Cognitive constraints on comp…Toward a Systematic Understanding of “Heaviness” in Metal Music Production (2022)Toward a Systematic Understan…Enacting Musical Time (2019)Enacting Musical TimeIn Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation (2016)In Search of Liberated Time, …How Down is a Downbeat? Feeling Meter and Gravity in Music and Dance (2015)How Down is a Downbeat? Feeli…Temporality in Nineteenth-Century Russian Music and the Notion of Development (2013)Temporality in Nineteenth-Cen…Characterising musical gestures (2012)Characterising musical gestur…Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Metaphors of depth in German …Musical Metaphors in Serbian and Romani Children: An Empirical Study (2009)Musical Metaphors in Serbian …Metaphor and music (2008)Metaphor and musicMusic Theory, Phenomenology, and Modes of Perception (1986)Women, Fire, and Dangerous Things (1987)Feminist Theory, Music Theory, and the Mind/Body Problem (1994)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)How We Get Along (2009)Extraordinary Measures (2011)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)ASPECTS OF THE THEORY OF SYNTAX (1964)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Epistemologies of music theory (2002)Compositional Process in Music (2007)The possibility of impossible cultures (2009)The Body in the Mind (1987)Metaphors We Live By (2003)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Studies in the Way of Words (1989)Conceptual Integration Networks (1998)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Cognitive Linguistics (2004)The Cultural Origins of Human Cognition (2000)Bridging the gap between image and metaphor through cross-modal iconicity (2017)Embedded blends and meaning construction in Modest Musorgsky’s Pictures at an Exhibition (2018)‘Please could you stop the noise’: The grammar of multimodal meaning-making in Radiohead’s ‘Paranoid Android’ (2019)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)The New Grove dictionary of music and musicians (2001)Elements of Sonata Theory (2006)Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony (2018)Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert (2020)Temporalities of North Indian Classical Listening: How Listeners Use Music to Construct Time (2021)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Outline of a Theory of Practice (1977)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 (2021)EVOLVEMENT OF SYNCRETIC MUSIC: THE AESTHETIC VALUES OF MALAYSIAN POPULAR AND TRADITIONAL MUSIC (2023)Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)Popular Music and Society (1996)Heavy Metal Carnival and Dis‐alienation: The Politics of Grotesque Realism (2006)Blacker than Death: Recollecting the “Black Turn” in Metal Aesthetics (2013)Lorna Shore’s ‘To the Hellfire’: A study in heaviness (2023)From analogue to algorithm: How private production reshaped metal aesthetics (2024)The Heaviest Metal (2024)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Rethinking Mendelssohn (2020)The Theory of Participatory Discrepancies: A Progress Report (1995)The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)
this work references cited by second hop

References

  • 1993The contemporary theory of metaphor5,563 cited
  • 2000Music Grooves: Essays and Dialogues356 cited
  • 1992Cognitive constraints on compositional systems165 cited
  • 1999Bodily Hearing: Physiological Metaphors and Musical Understanding133 cited

Cited by

  • 2008Metaphor and music107 cited
  • 2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg73 cited
  • 2019Enacting Musical Time68 cited
  • 2009Musical Metaphors in Serbian and Romani Children: An Empirical Study57 cited
  • 2022Toward a Systematic Understanding of “Heaviness” in Metal Music Production35 cited
  • 2016In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation18 cited
  • 2012Characterising musical gestures11 cited
  • 2013Temporality in Nineteenth-Century Russian Music and the Notion of Development6 cited
  • 2015How Down is a Downbeat? Feeling Meter and Gravity in Music and Dance5 cited

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