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Crossing the Stage
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  • 1999The Social Process of "Passing" to Manage Stigma: Acts of Internalized Oppression or Acts of Resistance?67 cited
  • 1998Heroes in D(u)ress: Transvestism and Power in the Myths of Herakles and Achilles*43 cited
  • 2004Status, Sodomy, and the Theater in Marlowe's Edward II39 cited
  • 1998Hercules Cross-Dressed, Hercules Undressed: Unmasking the Construction of the Propertian Amator in Elegy 4.935 cited
  • 2010Pomona's pomarium : The "Mapping Impulse" in Metamorphoses 14 (and 9)34 cited
  • 1997Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage27 cited
  • 2011The Virgin Mary in late medieval and early modern English literature and popular culture17 cited
  • 2013“The Unnatural History and Petticoat Mystery of Boulton and Park”: A Victorian Sex Scandal and the Theatre Defense16 cited
  • 2007Lois Schwich, the Female Errand Boy12 cited
  • 2007Early Modern Tragedy, Gender and Performance, 1984–200010 cited
  • 1998Re-gendering the Libertine; or, the Taming of the Rake: Lucy Vestris as Don Giovanni on the early nineteenth-century London stage7 cited
  • 2013Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic7 cited
  • 2015Foreign Opera at the London Playhouses: From Mozart to Bellini6 cited

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  • 1996Tragedy, Gender, Performance: Women as Tragic Heroes on the Nineteenth-Century Stage6 cited
  • 2018LOVE CONQUERS ALL: CUPID, PHILIP V AND THE ALLEGORICAL ZARZUELA DURING THE WAR OF THE SPANISH SUCCESSION (1701–1714)3 cited