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Acting naturally: Mark Twain in the culture of performance
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Acting naturally: Mark Twain in the culture of performance (1995)Acting naturally: Mark Twain in the cultu…‘I'm just a character in your film’: acting and performance from autism to Zissou (2011)‘I'm just a character in your…Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. (2010)Empire of Culture: U.S. Enter…The Voice of Her Laughter: Mark Twain's Tragic Feminism (2009)The Voice of Her Laughter: Ma…The Cambridge Introduction to Mark Twain (2007)The Cambridge Introduction to…Raising Minstrelsy: Humour, Satire and the Stereotype in The Birth of a Nation and Bamboozled (2003)Raising Minstrelsy: Humour, S…Hello, Dude: Philology, Performance, and Technology in Mark Twain's Connecticut Yankee (2003)Hello, Dude: Philology, Perfo…The emergence of the American actor (1998)The emergence of the American…Structure and management in the American theatre from the beginning to 1870 (1998)Structure and management in t…Plays and playwrights: to 1800 (1998)Plays and playwrights: to 1800Paratheatricals and popular stage entertainment (1998)Paratheatricals and popular s…Introduction (1998)IntroductionEuropean actors and the star system in the American theatre, 1752–1870 (1998)European actors and the star …Gender Trouble: Feminism and the Subversion of Identity (1991)Distinction: A Social Critique of the Judgement of Taste* (2018)Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century (2018)Dialectic of Enlightenment (2020)Fin-de-siècle Black Minstrelsy, Itinerancy, and the Anglophone Imperial Circuit (2023)The Study of Language in England, 1780-1860 (1969)When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century (1989)The Anthology and the Rise of the Novel (2000)Inventing English: A Portable History of the Language (2007)Mark Twain and the Critique of Philology (2011)The Presentation of Self in Everyday Life. (1956)Frame Analysis: An Essay on the Organization of Experience (1975)Frame Analysis: An Essay on the Organization of Experience. (1975)A Shared Approach to Familial Dysfunction and Sound Design: Wes Anderson’s Influence on the Films of Noah Baumbach (2014)Cast of Characters: Wes Anderson and Pure Cinematic Characterization (2014)The Andersonian, the Quirky, and “Innocence” (2014)Eighty Years and More: Reminiscences, 1815-1897 (1898)Autobiography Of Mark Twain (2019)Pudd'NHead Wilson and Those Extraordinary Twins (2019)Lenin and Philosophy and Other Essays (1971)Excitable Speech: A Politics of the Performative (1997)The Location of Culture (2012)“Weather Girls” on the Big Screen: Stereotypes, Sex Appeal, and Science (2013)Marxism and Literature (1977)The Visible Hand: The Managerial Revolution in American Business (1978)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)The Visible Hand: The Managerial Revolution in American Business (1978)Without Distinction of Age: The Pivotal Roles of Child Actors and Their Spectators in Nineteenth-Century Theatre (2012)Dark Twins: Imposture and Identity in Mark Twain's America. (1990)Was Huck Black? Mark Twain and African American Voices. (1993)The Cambridge Companion to Mark Twain (1995)Susanna Rowson and the dramatized Muslim (2005)Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity (2005)
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Cited by

  • 2009The Voice of Her Laughter: Mark Twain's Tragic Feminism51 cited
  • 2003Hello, Dude: Philology, Performance, and Technology in Mark Twain's Connecticut Yankee29 cited
  • 2007The Cambridge Introduction to Mark Twain28 cited
  • 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited
  • 1998Plays and playwrights: to 180019 cited
  • 2011‘I'm just a character in your film’: acting and performance from autism to Zissou17 cited
  • 2003Raising Minstrelsy: Humour, Satire and the Stereotype in The Birth of a Nation and Bamboozled17 cited
  • 1998Paratheatricals and popular stage entertainment11 cited
  • 1998Structure and management in the American theatre from the beginning to 18709 cited
  • 1998European actors and the star system in the American theatre, 1752–18707 cited
  • 1998The emergence of the American actor4 cited
  • 1998Introduction3 cited

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