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A Night at the Cinema: Zeffirelli's Otello and the Genre of Film-Opera
1 references·2 citing·10 second hop
A Night at the Cinema: Zeffirelli's Otello and the Genre of Film-Opera (1994)A Night at the Cinema: Zeffirelli's Otell…Discourse and the film text: Four readings ofCarmen (1994)Discourse and the film text: …Don Boyd's Aria: A narrative polyphony between music and image (1999)Don Boyd's Aria: A narrative …Religion and Difference in Verdi's Otello (1997)Religion and Difference in Ve…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Unheard melodies: narrative film music (1988)Dancing in the distraction factory: music television and popular culture (1993)The Sublime Object of Ideology (1989)The sublime object of ideology (1990)Écrits: A Selection (2001)Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation (2010)At the Margins of the Televisual: Picture Frames, Loops and ‘Cinematics’ in the Paratexts of Opera Videos (2013)Opera-Film as Television: Remediation in Tony Britten's Falstaff (2017)The Verdi-Boito correspondence (1995)
this work references cited by second hop

References

  • 1994Discourse and the film text: Four readings ofCarmen51 cited

Cited by

  • 1997Religion and Difference in Verdi's Otello4 cited
  • 1999Don Boyd's Aria: A narrative polyphony between music and image3 cited

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