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Subjugated in the Creative Industries: The Fine Arts in Singapore
16 references·3 citing·36 second hop
Subjugated in the Creative Industries: The Fine Arts in Singapore (2011)Subjugated in the Creative Industries: Th…Fairy Tales and the Art of Subversion (2012)Fairy Tales and the Art of Su…Defining the Creative Economy: Industry and Occupational Approaches (2008)Defining the Creative Economy…The Rise of the Creative City: Culture and Creativity in Copenhagen (2007)The Rise of the Creative City…NEO‐LIBERALISM, CULTURE AND POLICY (2005)NEO‐LIBERALISM, CULTURE AND P…Cultural industries and cultural policy (2005)Cultural industries and cultu…Cultural economy: a critical review (2005)Cultural economy: a critical …The Rhetoric and Reality of Public-Private Partnerships (2003)The Rhetoric and Reality of P…A Handbook of Cultural Economics (2003)A Handbook of Cultural Econom…Why Are Artists Poor? (2002)Why Are Artists Poor?The Rise of the Creative Class (2002)The Rise of the Creative ClassFrom Museum to Mass Entertainment (2002)From Museum to Mass Entertain…From Cultural to Creative Industries: Theory, Industry and Policy Implications (2002)From Cultural to Creative Ind…The Creative Economy: How People Make Money From Ideas (2001)The Creative Economy: How Peo…Living on Thin Air: The New Economy (2000)Living on Thin Air: The New E…Creative industries: contracts between art and commerce (2000)Creative industries: contract…From mouse to mermaid: the politics of film, gender, and culture (1996)From mouse to mermaid: the po…The Changing Role of Tourism Policy in Singapore's Cultural Development: From Explicit to Insidious (2019)The Changing Role of Tourism …Yaratıcı Endüstrilerin Yükselişi: Geçmiş, Bugün ve Gelecek (2017)Yaratıcı Endüstrilerin Yüksel…Hong Kong creative workers in mainland China: The aspirational, the precarious, and the ethical (2016)Hong Kong creative workers in…Chronicle of Higher Education (1998)Struggling with the Creative Class (2005)The concentric circles model of the cultural industries (2008)Arts and Culture in Urban or Regional Planning: A Review and Research Agenda (2010)Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy (2020)The Rules of Art (1996)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)Creative cities: the cultural industries and the creative class (2008)Creativity and tourism (2011)Dialectic of Enlightenment (2020)Economies of Signs and Space. (1994)Tourism, Creativity and Development (2007)The Creative City (2012)Woman and Nature: The Roaring Inside Her. (1980)The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess (2004)Damsels in Discourse: Girls Consuming and Producing Identity Texts Through Disney Princess Play (2009)I AM an Angry Black Woman: Black Feminist Autoethnography, Voice, and Resistance (2012)Organizations in Action: Social Science Bases of Administrative Theory. (1968)Making democracy work: civic traditions in modern Italy (1993)Reinventing Government: How the Entrepreneurial Spirit is Transforming the Public Sector (1995)The Formation of Public-Private Partnerships: Lessons from Nine Transport Infrastructure Projects in The Netherlands (2005)The Challenging Business of Long‐Term Public–Private Partnerships: Reflections on Local Experience (2006)Leveraging public‐private partnerships to improve community resilience in times of disaster (2009)A CRITIQUE OF DEFINITIONS OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICY (2007)Do Creative Industries Cluster? Mapping Creative Local Production Systems in Italy and Spain (2008)Four models of the creative industries (2008)Educating for innovation (2006)Die Gesellschaft der Singularitäten (2018)In the Social Factory? (2008)Let a Thousand Flowers Bloom? An Early Look at Large Numbers of Software App Developers and Patterns of Innovation (2011)Creative Cities: Conceptual Issues and Policy Questions (2006)From resilience to resourcefulness (2012)The geographies of community disaster resilience (2014)The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children's Fairy Tales (2003)Ghosts of War in Vietnam (2008)Power, Voice and Subjectivity in Literature for Young Readers (2009)
this work references cited by second hop

References

  • 2002The Rise of the Creative Class4,527 cited
  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2001The Creative Economy: How People Make Money From Ideas1,928 cited
  • 2003A Handbook of Cultural Economics637 cited
  • 2005Cultural industries and cultural policy527 cited
  • 2002From Cultural to Creative Industries: Theory, Industry and Policy Implications428 cited
  • 1996From mouse to mermaid: the politics of film, gender, and culture356 cited
  • 2008Defining the Creative Economy: Industry and Occupational Approaches344 cited
  • 2003The Rhetoric and Reality of Public-Private Partnerships333 cited
  • 2012Fairy Tales and the Art of Subversion323 cited
  • 2005Cultural economy: a critical review321 cited
  • 2000Living on Thin Air: The New Economy316 cited
  • 2002Why Are Artists Poor?209 cited
  • 2007The Rise of the Creative City: Culture and Creativity in Copenhagen153 cited
  • 2005NEO‐LIBERALISM, CULTURE AND POLICY152 cited
  • 2002From Museum to Mass Entertainment132 cited

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Cited by

  • 2016Hong Kong creative workers in mainland China: The aspirational, the precarious, and the ethical14 cited
  • 2017Yaratıcı Endüstrilerin Yükselişi: Geçmiş, Bugün ve Gelecek7 cited
  • 2019The Changing Role of Tourism Policy in Singapore's Cultural Development: From Explicit to Insidious5 cited