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Music and Diaspora in the Second Metropolis: The Okinawan and Korean Musicians of Interwar Osaka
7 references·1 citing·31 second hop
Music and Diaspora in the Second Metropolis: The Okinawan and Korean Musicians of Interwar Osaka (2009)Music and Diaspora in the Second Metropol…Zainichi Korean Identity and Ethnicity (2007)Zainichi Korean Identity and …Their Masters' Voice: Korean Traditional Music SPs under Japanese Colonial Rule (2007)Their Masters' Voice: Korean …The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s (2006)The Making of a Cultural Icon…Islands of Discontent: Okinawan Responses to Japanese and American Power (2004)Islands of Discontent: Okinaw…Race and Migration in Imperial Japan. (1994)Race and Migration in Imperia…The Making of Imperial Subjects in Okinawa (1993)The Making of Imperial Subjec…Encountering Mass Culture at the Grassroots: The Experience of Chicago Workers in the 1920s (1989)Encountering Mass Culture at …Singing Diaspora: Okinawan Songs of Home, Departure, and Return (2010)Singing Diaspora: Okinawan So…French Modern: Norms and Forms of the Social Environment. (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)Critical Theory and Performance (1993)The Takarazuka Girls’ Revue in the West: public–private relations in the cultural diplomacy of wartime Japan (2010)Han-Tang Zhongguo Gudianwu and the Problem of Chineseness in Contemporary Chinese Dance: Sixty Years of Creation and Controversy (2012)Three Eras of Indonesian Arts Diplomacy (2019)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Routes: Travel and Translation in the Late Twentieth Century. (1998)Blame It on My Parents! - Parental Heritage Influence on Iban Popular Music Consumption and Ethnic Identity Among Iban Youths in Malaysia (2023)Overcome by modernity: history, culture, and community in interwar Japan (2001)Defining Qualities: The Socio-Political Significance of K-pop Collections (2014)From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos (2020)THINKING THROUGH INTERTEXTUALITY IN KOREAN POP MUSIC VIDEOS (2020)Black Metropolis--A Study of Negro Life in a Northern City. (1946)The Story of Jazz (1956)Class markers in the mass movie audience: A case study in the cultural geography of moviegoing, 1926‐1932 (1998)Theory through history: Exploring scholarly conceptions of U.S. alternative media (2001)"What These People Need Is Radio": New Technology, the Press, and Otherness in 1920s America (2003)Culture from the Bottom Up (2013)Reimagining the Homeland: Zainichi Koreans’ Transnational Longing for North Korea (2018)An Introduction to Japanese Society (2020)From the Margins to the Mainstream? Disaster Research at the Crossroads (2007)Immigration and Citizenship in Japan (2010)War, Guilt, and World Politics after World War II (2012)Kokugo and Colonial Education in Taiwan (1999)“We Are Okinawans But of a Different Kind” (2004)Placing Empire: Travel and the Social Imagination in Imperial Japan (2017)Base Motives (2006)The Cambridge History of Japanese Literature (2015)The Okinawan (Uchinānchu) Indigenous Movement and Its Implications for Intentional/International Action (2015)
this work references cited by second hop

References

  • 2004Islands of Discontent: Okinawan Responses to Japanese and American Power177 cited
  • 1994Race and Migration in Imperial Japan.127 cited
  • 2007Zainichi Korean Identity and Ethnicity84 cited
  • 1993The Making of Imperial Subjects in Okinawa67 cited
  • 1989Encountering Mass Culture at the Grassroots: The Experience of Chicago Workers in the 1920s35 cited
  • 2006The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s26 cited
  • 2007Their Masters' Voice: Korean Traditional Music SPs under Japanese Colonial Rule6 cited

Cited by

  • 2010Singing Diaspora: Okinawan Songs of Home, Departure, and Return14 cited

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