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Towards a comprehensive catalogue of Eve drum mnemonics∗
10 references·1 citing·24 second hop
Towards a comprehensive catalogue of Eve drum mnemonics∗ (1998)Towards a comprehensive catalogue of Eve …A Framework for Teaching West African Musics in Schools and Colleges (1995)A Framework for Teaching West…Procedures in African drumming : a study of Akan/Ewe traditions and African drumming in Pittsburgh (1989)Procedures in African drummin…African music, education and the school curriculum (1989)African music, education and …African Music in Perspective (1985)African Music in PerspectiveRhythmic design in the support drums of Agbadza (1983)Rhythmic design in the suppor…African Rhythm and African Sensibility (1982)African Rhythm and African Se…A study of the drum language in Adzogbo (1980)A study of the drum language …The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana (1971)The social mechanics of good …Drumming in Akan Communities of Ghana (1965)Drumming in Akan Communities …Studies in African Music (1959)Studies in African MusicIndigenous African Music: A Descriptive Analysis of Mmino wa Setšo from a Northern Sotho Perspective (2014)Indigenous African Music: A D…African Music: A People's Art (1976)Music, Mind, and Education (1989)Children's idiomatic expressions of cultural knowledge (1997)Music, Mind and Education (2003)“A shared energy”: West African drumming fosters cross-cultural understandings in Australia (2021)African Music in Ghana (1963)Drumming among the Akan and Anlo Ewe of Ghana: an introduction (2009)A Review of African Oral Traditions and Literature (1985)Culture and Customs of Rwanda (2007)Performance Practice in the Music of Steve Reich (2016)Order and Conflict in the Asante Empire: A Study in Interest Group Relations (1977)Classification and Phylogenetic Analysis of African Ternary Rhythm Timelines (2003)The Talking Balafon of the Sambla: Grammatical Principles and Documentary Implications (2019)Communicative Pressure and the Evolution of Musical Styles (2004)Does Language Determine Music in Tone Languages? (2012)Freedom to Sing, License to Insult: The Influence of Haló Performance on Social Violence Among the Anlo Ewe (1994)Competition and Conflict as a Framework for Understanding Performance Culture among the Urban Anlo-Ewe (2001)Yewe v u in the Metric Matrix (2010)Creative Processes in Akan Musical Cultures: Innovation within Tradition (2009)METER, FEEL, AND PHRASING IN WEST AFRICAN BELL PATTERNS: THE EXAMPLE OF ASANTE KETE FROM GHANA (2017)Non-Western Musics in Education: Problems and Possibilities (1998)The Person and the Life Cycle in African Social Life and Thought (1986)Secrecy, Ambiguity, and the Everyday in Kabre Culture (1993)Life Stories, Disclosure and the Law (1997)
this work references cited by second hop

References

  • 1982African Rhythm and African Sensibility312 cited
  • 1959Studies in African Music111 cited
  • 1965Drumming in Akan Communities of Ghana110 cited
  • 1985African Music in Perspective47 cited
  • 1983Rhythmic design in the support drums of Agbadza28 cited
  • 1971The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana16 cited
  • 1989African music, education and the school curriculum15 cited
  • 1980A study of the drum language in Adzogbo13 cited
  • 1995A Framework for Teaching West African Musics in Schools and Colleges10 cited
  • 1989Procedures in African drumming : a study of Akan/Ewe traditions and African drumming in Pittsburgh10 cited

Cited by

  • 2014Indigenous African Music: A Descriptive Analysis of Mmino wa Setšo from a Northern Sotho Perspective5 cited

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