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Study of binding media in works of art by gas chromatographic analysis of amino acids and fatty acids derivatized with ethyl chloroformate

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2001Identification of lipid binders in paintings by gas chromatography48 cited
2010Identification of organic materials in icons of the Cretan School of iconography46 cited
2002Analytical study of proteinaceous binding media in works of art by gas chromatography using alkyl chloroformates as derivatising agents45 cited
2003Identification of diterpenes in canvas painting varnishes by gas chromatography–mass spectrometry with combined derivatisation42 cited
2003Suppression of pigment interference in the gas chromatographic analysis of proteinaceous binding media in paintings with EDTA39 cited
2006An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings38 cited
2006Study of the microbiodegradation of terpenoid resin-based varnishes from easel painting using pyrolysis–gas chromatography–mass spectrometry and gas chromatography–mass spectrometry35 cited
2015Influence of pigments and protein aging on protein identification in historically representative casein-based paints using enzyme-linked immunosorbent assay33 cited
2006Studies of organic paint binders by NMR spectroscopy33 cited
2005Characterization of waxes used in pictorial artworks according to their relative amount of fatty acids and hydrocarbons by gas chromatography30 cited
2005Identification of lipid binders in old oil paintings by separation of 4-bromomethyl-7-methoxycoumarin derivatives of fatty acids by liquid chromatography with fluorescence detection30 cited
2005

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THM-GCMS and FTIR for the investigation of paints in Picasso's Still Life, Weeping Woman and Nude Woman in a Red Armchair from the Tate Collection, London

29 cited

2008Gas chromatography/mass spectrometry of oils and oil binders in paintings28 cited

2007Analysis of post-Byzantine icons from the Church of the Assumption in Cephalonia, Ionian Islands, Greece: A multi-method approach27 cited

2012Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry27 cited

2004Identification of drying oils used in pictorial works of art by liquid chromatography of the 2-nitrophenylhydrazides derivatives of fatty acids26 cited