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Oxygen-Isotope Ratios in Quartz as Indicators of the Provenance of Archaeological Ochres
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Oxygen-Isotope Ratios in Quartz as Indicators of the Provenance of Archaeological Ochres (1997)Oxygen-Isotope Ratios in Quartz as Indica…A critical assessment of the potential and limitations of physicochemical analysis to advance knowledge on Levantine rock art (2020)A critical assessment of the …Microbial composition analyses by 16S rRNA sequencing: A proof of concept approach to provenance determination of archaeological ochre (2017)Microbial composition analyse…Novel application of X-ray fluorescence microscopy (XFM) for the non-destructive micro-elemental analysis of natural mineral pigments on Aboriginal Australian objects (2016)Novel application of X-ray fl…Microelemental characterisation of Aboriginal Australian natural Fe oxide pigments (2015)Microelemental characterisati…Iron isotope analysis of red and black pigments on pottery in Nasca, Peru (2013)Iron isotope analysis of red …A combined visual-geochemical approach to establishing provenance for pegmatite quartz artifacts (2013)A combined visual-geochemical…Soils, stones and symbols: Cultural perceptions of the mineral world (2005)Photon-Based Techniques for Nondestructive Subsurface Analysis of Painted Cultural Heritage Artifacts (2010)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples (2011)The Identification of Sources of Chert Artifacts (1979)CARBON AND OXYGEN ISOTOPIC RATIOS: A DATA BASE FOR CLASSICAL GREEK AND ROMAN MARBLE (1987)Initial source evaluation of archaeological obsidian from the Kuril Islands of the Russian Far East using portable XRF (2009)Systematic sampling of quartzites in sourcing analysis: intra-outcrop variability at Naibor Soit, Tanzania (part I) (2020)Tracking ancient people movements in the Southern Pampean Hills of Argentina by XRF, XRD and SEM on quartz lithic technology: a preliminary report (2020)TURQUOISE SOURCES AND SOURCE ANALYSIS: MESOAMERICA AND THE SOUTHWESTERN U.S.A. (1977)Early human use of marine resources and pigment in South Africa during the Middle Pleistocene (2007)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)MULTI-INSTRUMENTAL IDENTIFICATION OF ORPIMENT IN ARCHAEOLOGICAL MORTUARY CONTEXTS (2014)Toxic Pigment in aCapacochaBurial: Instrumental Identification of Cinnabar in Inca Human Remains from Iquique, Chile (2018)Archaeometric analysis of ceramic production in Tiwanaku state ( c .500–1000 ce ): An exploratory study (2020)Trace element characterization of ochre from geological sources (2007)Encyclopedia of Global Archaeology (2014)Chemical and mineralogical characterization and 14C dating of white and red pigments in the rock paintings from Nyero (Uganda) (2018)Sources of the ochres associated with the Lower Magdalenian “Red Lady” human burial and rock art in El Mirón Cave (Cantabria, Spain) (2018)Clay and iron oxide pigments in the history of painting (2003)Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis (2005)The colour of ochres explained by their composition (2005)Time takes its toll: Detection of organic binder media in ochre paints with visible near-infrared and short-wave infrared reflectance spectroscopy (2018)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain) (2022)Hematite as unprecedented black rock art pigment in Jufri Cave, East Kalimantan, Indonesia: the microscopy, spectroscopy, and synchrotron X-ray-based investigation (2022)Testing recipes: an experimental approach to paint production processes in Levantine rock art (Spain) (2023)
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Cited by

  • 2013Iron isotope analysis of red and black pigments on pottery in Nasca, Peru24 cited
  • 2020A critical assessment of the potential and limitations of physicochemical analysis to advance knowledge on Levantine rock art20 cited
  • 2016Novel application of X-ray fluorescence microscopy (XFM) for the non-destructive micro-elemental analysis of natural mineral pigments on Aboriginal Australian objects20 cited
  • 2013A combined visual-geochemical approach to establishing provenance for pegmatite quartz artifacts16 cited
  • 2017Microbial composition analyses by 16S rRNA sequencing: A proof of concept approach to provenance determination of archaeological ochre16 cited
  • 2015Microelemental characterisation of Aboriginal Australian natural Fe oxide pigments12 cited

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