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In 1898, Edward Steichen made a photographic self-portrait in which he presented himself as a modest, unassuming youth (figure 1). Three years later in another self-portrait, he proclaimed himself an artistic genius (figure 2). The changes in style, content and meaning from the first to the second picture resulted not just from Steichen's coming of age as a photographic artist, but also from the objectives of Alfred Stieglitz and the pictorialist movement.
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Stored only when both papers are in the corpus — 1 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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