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Opera, Dispossession, and the Sublime: The Case of Armide
11 references·0 citing·27 second hop
Opera, Dispossession, and the Sublime: The Case of Armide (1997)Opera, Dispossession, and the Sublime: Th…The Language of Psychoanalysis (2018)The Language of PsychoanalysisEssai sur l'origine des langues (2002)Essai sur l'origine des langu…The feminine sublime: gender and excess in women's fiction (1996)The feminine sublime: gender …Critique of Judgment (1994)Critique of JudgmentThe queen's throat: opera, homosexuality, and the mystery of desire (1993)The queen's throat: opera, ho…Music and the French Enlightenment: reconstruction of a dialogue, 1750-1764 (1993)Music and the French Enlighte…The angel's cry: beyond the pleasure principle in opera (1992)The angel's cry: beyond the p…Theatres for opera and ballet during the reigns of Louis XIV and Louis XV (1990)Theatres for opera and ballet…Berain. Dessinateur du roi-soleil (1988)Berain. Dessinateur du roi-so…The Development of Rameau's Thoughts on Modulation and Chromatics (1973)The Development of Rameau's T…La pratique du théâtre (1927)La pratique du théâtreRhetoric and the Public Sphere (2009)New Materialism: Interviews & Cartographies (2012)What makes a destination beautiful? Dimensions of tourist aesthetic judgment (2014)Henry James and Queer Modernity (2003)Language and Sexuality (2003)Phonation type as a stylistic variable: The use of falsetto in constructing a persona1 (2007)The Meanings of Interjections in Q’eqchi’ Maya (2003)The recursive mind: the origins of human language, thought, and civilization (2011)Democracy and Media Decadence (2013)Sexual scripts: Permanence and change (1986)Gender, Habitus and the Field (1999)Toward an Ecological Sublime (1999)How America Justifies Its War: A Modern/Postmodern Aesthetics of Masculinity and Sovereignty (2006)“Theorizing in a Void” (2018)L’« Europe française », une domination culturelle ?: Kaunitz et le théâtre français à Vienne au XVIIIesiècle (2012)What Was Tragedy? The World We Have Lost, 1550–1795 (2012)The first frame: theatre space in Enlightenment France (2015)"Rinfreschi e composizioni poetiche": The feste di ballo Tradition in Late Eighteenth-Century Naples (2011)Opera in the Age of Rousseau: Music, Confrontation, Realism (2012)Dance and Drama in French Baroque Opera (2016)The Harmony Between Rousseau's Musical Theory and his Philosophy (1998)Catholic Christianity in France from the Restoration to the separation of church and state, 1815–1905 (2001)Synthesizing Race: Towards an Analysis of the Performativity of Vocal Timbre (2009)When Opera Meets Film (2010)Between silence and pain: loudness and the affective encounter (2015)Race, empire, and early music (2014)Dance and drama in French baroque opera a history (2016)
this work references cited by second hop

References

  • 1994Critique of Judgment1,599 cited
  • 2018The Language of Psychoanalysis1,500 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 2002Essai sur l'origine des langues399 cited
  • 1992The angel's cry: beyond the pleasure principle in opera135 cited
  • 1996The feminine sublime: gender and excess in women's fiction121 cited
  • 1927La pratique du théâtre73 cited
  • 1990Theatres for opera and ballet during the reigns of Louis XIV and Louis XV34 cited
  • 1988Berain. Dessinateur du roi-soleil27 cited
  • 1993Music and the French Enlightenment: reconstruction of a dialogue, 1750-176427 cited
  • 1973The Development of Rameau's Thoughts on Modulation and Chromatics21 cited

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