SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A study of smalt and red lead discolouration in Antiphonitis wall paintings in Cyprus
8 references·16 citing·39 second hop
A study of smalt and red lead discolouration in Antiphonitis wall paintings in Cyprus (2009)A study of smalt and red lead discolourat…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora, Greece (2008)From Byzantine to post-Byzant…The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques (2006)The fading of red lead pigmen…Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy (2004)Ciro Ferri’s frescoes: a stud…Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy as a means…Imaging Microspectroscopic, Secondary Ion Mass Spectrometric and Electron Microscopic Studies on Discoloured and Partially Discoloured Smalt in Cross-sections of 16th Century Paintings (2001)Imaging Microspectroscopic, S…Panselinos’ Byzantine wall paintings in the Protaton Church, Mount Athos, Greece: a technical examination (2000)Panselinos’ Byzantine wall pa…Pigment identification studiesin situ of Javanese, Thai, Korean, Chinese and Uighur manuscripts by Raman microscopy (1999)Pigment identification studie…Present and future of chromatic reintegrations of wall paintings (2024)Present and future of chromat…The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review (2023)The fresco wall painting tech…Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria (2023)Characterization of art mater…Use of Temperature Controlled Stage Confocal Raman Microscopy to Study Phase Transition of Lead Dioxide (Plattnerite) (2020)Use of Temperature Controlled…The altar wall paintings of the catholicon “The Nativity of the Virgin”, Rila Monastery, Bulgaria: Identification of the painting materials by means of vibrational spectroscopic techniques complemented by EDX, XRD and TGA analysis (2020)The altar wall paintings of t…Effect of a SO2 Rich Atmosphere on Tempera Paint Mock-Ups. Part 1: Accelerated Aging of Smalt and Lapis Lazuli-Based Paints (2020)Effect of a SO2 Rich Atmosphe…Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite) (2020)Darkening of lead‐ and iron‐b…Degradation of red lead pigment in the oil painting during UV aging (2019)Degradation of red lead pigme…Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings (2018)Portable and laboratory analy…Investigation on the process of lead white blackening by Raman spectroscopy, XRD and other methods: Study of Cimabue’s paintings in Assisi (2018)Investigation on the process …Advanced analytical investigation on degradation markers in wall paintings (2018)Advanced analytical investiga…Microchemical Study of Pigments and Binders in Polychrome Relics from Maiji Mountain Grottoes in Northwestern China (2016)Microchemical Study of Pigmen…Unraveling the Reactivity of Minium toward Bicarbonate and the Role of Lead Oxides Therein (2015)Unraveling the Reactivity of …Application of a portable XRF analyzer to investigate the medieval wall paintings of Yemrehanna Krestos Church, Ethiopia (2013)Application of a portable XRF…PAINTED ROCK-CUT TOMBS IN CYPRUS FROM THE HELLENISTIC AND ROMAN PERIODS TO BYZANTIUM: MATERIAL PROPERTIES, DEGRADATION PROCESSES AND SUSTAINABLE PRESERVATION STRATEGIES (2010)PAINTED ROCK-CUT TOMBS IN CYP…Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts (2010)Byzantine wall paintings from…Conservation of Wall Paintings (1985)Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Integrated analytical study for the authentication of five Russian icons (XVI–XVII centuries) (2009)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Infrared Spectroscopy in Conservation Science (2000)Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art* (2007)FRESCO AND LIME‐PAINT: AN EXPERIMENTAL STUDY AND OBJECTIVE CRITERIA FOR DISTINGUISHING BETWEEN THESE PAINTING TECHNIQUES (2012)REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)Near infrared spectroscopic reflectance imaging: a new tool in art conservation (2002)Fluorescence lifetime imaging and spectroscopy as tools for nondestructive analysis of works of art (2004)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Red lead darkening in wall paintings: natural ageing of experimental wall paintings versus artificial ageing tests (2007)Advances in Raman mapping of works of art (2010)Insights into the composition of ancient Egyptian red and black inks on papyri achieved by synchrotron-based microanalyses (2020)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)In Situ Identification and Analysis of Automotive Paint Pigments Using Line Segment Excitation Raman Spectroscopy: I. Inorganic Topcoat Pigments (2001)Laser-induced degradation of lead pigments with reference to Botticelli’s Trionfo d’Amore (2001)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)The Organic Chemistry of Museum Objects (1988)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt (2018)Characterization of Waxes in the Roman Wall Paintings of the Herculaneum Site (Italy) (2022)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty (2020)The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades (2021)Current progress on murals: distribution, conservation and utilization (2023)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art (2011)Unexpected Materials in a Rembrandt Painting Characterized by High Spatial Resolution Cluster-TOF-SIMS Imaging (2011)Investigating the Photocatalytic Degradation of Oil Paint using ATR-IR and AFM-IR (2017)
this work references cited by second hop

References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
  • 2000Panselinos’ Byzantine wall paintings in the Protaton Church, Mount Athos, Greece: a technical examination83 cited
  • 2001Imaging Microspectroscopic, Secondary Ion Mass Spectrometric and Electron Microscopic Studies on Discoloured and Partially Discoloured Smalt in Cross-sections of 16th Century Paintings79 cited
  • 2004Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy77 cited
  • 1999Pigment identification studiesin situ of Javanese, Thai, Korean, Chinese and Uighur manuscripts by Raman microscopy63 cited
  • 2006The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques56 cited
  • 2008From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora, Greece53 cited

Cited by

  • 2018Advanced analytical investigation on degradation markers in wall paintings45 cited
  • 2020Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite)44 cited
  • 2018Investigation on the process of lead white blackening by Raman spectroscopy, XRD and other methods: Study of Cimabue’s paintings in Assisi36 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
  • 2010Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts31 cited
  • 2020Use of Temperature Controlled Stage Confocal Raman Microscopy to Study Phase Transition of Lead Dioxide (Plattnerite)30 cited
  • 2023The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review29 cited
  • 2013Application of a portable XRF analyzer to investigate the medieval wall paintings of Yemrehanna Krestos Church, Ethiopia29 cited
  • 2019Degradation of red lead pigment in the oil painting during UV aging29 cited
  • 2015Unraveling the Reactivity of Minium toward Bicarbonate and the Role of Lead Oxides Therein22 cited
  • 2016Microchemical Study of Pigments and Binders in Polychrome Relics from Maiji Mountain Grottoes in Northwestern China22 cited
  • 2024Present and future of chromatic reintegrations of wall paintings15 cited
  • 2020The altar wall paintings of the catholicon “The Nativity of the Virgin”, Rila Monastery, Bulgaria: Identification of the painting materials by means of vibrational spectroscopic techniques complemented by EDX, XRD and TGA analysis15 cited
  • 2023Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria12 cited
  • 2020Effect of a SO2 Rich Atmosphere on Tempera Paint Mock-Ups. Part 1: Accelerated Aging of Smalt and Lapis Lazuli-Based Paints12 cited
  • 2010PAINTED ROCK-CUT TOMBS IN CYPRUS FROM THE HELLENISTIC AND ROMAN PERIODS TO BYZANTIUM: MATERIAL PROPERTIES, DEGRADATION PROCESSES AND SUSTAINABLE PRESERVATION STRATEGIES12 cited