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Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging

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References

2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited
1934Il Libro dell'Arte102 cited
2004Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden99 cited
2007Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections84 cited
2006The Use of Immunofluorescence Microscopy and Enzyme-Linked Immunosorbent Assayas Complementary Techniques for Protein Identification in Artists' Materials75 cited
2003Analytical Pyrolysis as Diagnostic Tool in the Investigation of Works of Art73 cited
1971METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES68 cited
1977SOME IMPROVEMENTS IN TECHNIQUES OF ANALYSIS OF PAINT MEDIA53 cited
1989Detection of Ovalbumin in Paint Media by Immunofluorescence48 cited

Cited by

2010Development of a multiplexed chemiluminescent immunochemical imaging technique for the simultaneous localization of different proteins in painting micro cross-sections40 cited
2012Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections

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36 cited

2013A simple and reliable methodology to detect egg white in art samples36 cited

2013Proteomics applied to the authentication of fish glue: application to a 17th century artwork sample36 cited

2015Influence of pigments and protein aging on protein identification in historically representative casein-based paints using enzyme-linked immunosorbent assay33 cited

2020Review—Electrochemical and SERS Sensors for Cultural Heritage Diagnostics and Conservation: Recent Advances and Prospects30 cited

2012Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach28 cited

2021Time‐of‐flight secondary ion mass spectrometry imaging in cultural heritage: A focus on old paintings24 cited

2011Fluorescence recognition of proteinaceous binders in works of art by a novel integrated system of investigation24 cited

2016Species identification of ancient leather objects by the use of the enzyme-linked immunosorbent assay22 cited

2016Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM21 cited

2014Localization of proteins in paint cross-sections by scanning electrochemical microscopy as an alternative immunochemical detection technique20 cited

2019Smart Electrochemical Portable Tools for Cultural Heritage Analysis: A Review19 cited

2010Tracing the biological origin of animal glues used in paintings through mitochondrial DNA analysis18 cited

2015Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood17 cited

2013Non-invasive NMR stratigraphy of a multi-layered artefact: an ancient detached mural painting16 cited