SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
In the Window at Disney: A Lifetime of Brand Desire
11 references·0 citing·38 second hop
In the Window at Disney: A Lifetime of Brand Desire (2014)In the Window at Disney: A Lifetime of Br…Fair Play — Art, Performance and Neoliberalism (2013)Fair Play — Art, Performance …Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre (2013)Audience Participation and Ne…The Experience Economy (2012)The Experience EconomyThe mouse that roared: Disney and the end of innocence (2010)The mouse that roared: Disney…Performing Consumers: Global Capital and its Theatrical Seductions (2006)Performing Consumers: Global …Images of Animated Others: The Orientalization of Disney's Cartoon Heroines From The Little Mermaid to The Hunchback of Notre Dame (2004)Images of Animated Others: Th…Perform or Else: From Discipline to Performance (2002)Perform or Else: From Discipl…Deconstructing Disney: Chicano/a Children and Critical Race Theory. (2000)Deconstructing Disney: Chican…Land of Desire: Merchants, Power, and the Rise of a New American Culture. (1994)Land of Desire: Merchants, Po…The queen Christina tie‐ups: Convergence of show window and screen (1989)The queen Christina tie‐ups: …The Carole Lombard in Macy's window (1978)The Carole Lombard in Macy's …A Theory of Semiotics (1976)The Classical Hollywood Cinema (2003)News, Reviews, Clues, Interviews and Other Ancillary Materials - a Critique and Research Proposal (2004)“DARN THAT MERRY WIDOW HAT”: THE ON- AND OFFSTAGE LIFE OF A THEATRICAL COMMODITY, CIRCA 1907–1908 (2009)Subculture (2010)The Practice of Love (2023)Judgment under Uncertainty: Heuristics and Biases (1974)Judgment under Uncertainty: Heuristics and Biases (1975)A Brief History of Neoliberalism (2005)Narcissistic Spectatorship in Immersive and One-on-One Performance (2014)Decolonizing Immersion (2016)Postdramatic Tragedies (2019)The Colonial Harem (1986)Woman, Native, Other: Writing Postcoloniality and Feminism (1990)Whiteness: A strategic rhetoric (1995)Hetero-Romantic Love and Heterosexiness in Children's G-Rated Films (2009)Plugged In (2017)Women and Suicidal Behavior (2020)Beyond Love: A Critical Race Ethnography of the Schooling of Adolescent Black Males (2002)The International Handbook of Virtual Learning Environments (2006)Mapping the Complexity of Public Pedagogy Scholarship (2011)Coming Attractions: Reading American Movie Trailers (2004)Marxism and media studies: key concepts and contemporary trends (2004)The Hidden History of Product Placement (2006)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)Consumers and Consumption (2004)Entrepreneurial Labor among Cultural Producers: “Cool” Jobs in “Hot” Industries (2005)If Ya Liked It, Then You Shoulda Made a Video Beyoncé Knowles, YouTube and the public sphere of images (2011)A good day out: applied theatre, relationality and participation (2016)Eight types of product–service system: eight ways to sustainability? Experiences from SusProNet (2004)Customer Experience Creation: Determinants, Dynamics and Management Strategies (2009)Customer Engagement (2011)‘Keep hoping, keep going’: Towards a hopeful sociology of creative work (2018)Whose cultural value? Representation, power and creative industries (2018)Care-ful Work: An Ethics of Care Approach to Contingent Labour in the Creative Industries (2019)Intensities of feeling: towards a spatial politics of affect (2004)Stage Fright, Animals, and Other Theatrical Problems (2006)Practice as Research in the Arts (2013)
this work references cited by second hop

References

  • 2012The Experience Economy1,886 cited
  • 1994Land of Desire: Merchants, Power, and the Rise of a New American Culture.908 cited
  • 2002Perform or Else: From Discipline to Performance557 cited
  • 2010The mouse that roared: Disney and the end of innocence421 cited
  • 2013Fair Play — Art, Performance and Neoliberalism256 cited
  • 2004Images of Animated Others: The Orientalization of Disney's Cartoon Heroines From The Little Mermaid to The Hunchback of Notre Dame181 cited
  • 2013Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre145 cited
  • 1978The Carole Lombard in Macy's window85 cited
  • 1989The queen Christina tie‐ups: Convergence of show window and screen62 cited
  • 2006Performing Consumers: Global Capital and its Theatrical Seductions44 cited
  • 2000Deconstructing Disney: Chicano/a Children and Critical Race Theory.12 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work