A large body of Eliot scholarship is dedicated to the question of human sympathy. My essay moves in a different direction, arguing that Eliot saw literature not only as a medium for intersubjective understanding but also as an amplificatory technology, a tool for sensory enhancement. This technology is embodied by the affective dynamics of character in Eliot's final published work,Impressions of Theophrastus Such(1879), a collection of character sketches and philosophical essays composed in conversation with the ancient Greek naturalist and sketch writer Theophrastus of Eresus. InImpressionsEliot invokes the descriptive traditions of natural history and the character sketch to suggest that human beings, like other animals, are conditioned by bodily frameworks and habitual responses that allow them to sense some things and not others. A meditation also on the history of characterization itself,Impressionsputs pressure on the modern association of character with individual human psychology.
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