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Analyses of large-scale grouping structures in several movements by Haydn, Mozart, and Beethoven demonstrate a technique of segmentation by initiation. Although the patterning thus revealed is not metrical in the strictest sense, exact proportional schemes and perfect symmetries in formal designs project deep rhythms of another variety.
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Stored only when both papers are in the corpus — 8 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.