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The use of laser pyrolysis–GC–MS for the analysis of paint cross sections
16 references·0 citing·37 second hop
The use of laser pyrolysis–GC–MS for the analysis of paint cross sections (2013)The use of laser pyrolysis–GC–MS for the …Dyes in History and Archaeology 41 (2023)Dyes in History and Archaeolo…Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections (2012)Single and multiplexed immuno…The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography–mass spectrometry (2011)The identification of synthet…New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)New Advances in the Applicati…Development of a multiplexed chemiluminescent immunochemical imaging technique for the simultaneous localization of different proteins in painting micro cross-sections (2010)Development of a multiplexed …Identification of resinous materials on 16th and 17th century reverse-glass objects by gas chromatography/mass spectrometry (2008)Identification of resinous ma…Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections (2007)Attenuated Total Reflection–F…Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Combined GC/MS Analytical Pro…Chemical imaging techniques for the analysis of complex mixtures: New application to the characterization of ritual matters on African wooden statuettes (2006)Chemical imaging techniques f…Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden (2004)Imaging Secondary Ion Mass Sp…Analytical Pyrolysis as Diagnostic Tool in the Investigation of Works of Art (2003)Analytical Pyrolysis as Diagn…Analysis of proteinaceous binders by in-situ pyrolysis and silylation (2003)Analysis of proteinaceous bin…Characterisation of natural resins by pyrolysis—Silylation (2002)Characterisation of natural r…In-situ pyrolysis and silylation for analysis of lipid materials used in paint layers (2001)In-situ pyrolysis and silylat…Characterization of Organic Azo-Pigments by Pyrolysis-Gas Chromatography (1999)Characterization of Organic A…The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)The potential of pyrolysis—ga…NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)The Organic Chemistry of Museum Objects (1988)Py‐GC/MS of Organic Paint Binders (2009)Organic Chemistry of Museum Objects (2012)Exploitation of Beehive Products, Plant Exudates and Tars in Corsica During the Early Iron Age (2015)Ageing of resin from Pinus species assessed by infrared spectroscopy (2016)Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings (2009)Border Cave and the beginning of the Later Stone Age in South Africa (2012)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Infrared Spectroscopy in Conservation Science (2000)The Characterization of Metal Soaps (2003)ATR-FT-IR spectroscopy in the region of 500–230 cm−1 for identification of inorganic red pigments (2009)Application of ATR-far-infrared spectroscopy to the analysis of natural resins (2010)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)Modern analytical methods in art and archaeology (2000)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Development and trends in synchrotron studies of ancient and historical materials (2012)Analytical chemistry in the field of cultural heritage (2015)Cross-Sections and Chemical Analysis of Paint Samples (1956)Micro-analytical study of interactions between oil and lead compounds in paintings (2007)A Critical Review on the Analysis of Metal Soaps in Oil Paintings (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Pigment Compendium (2008)Formation of highly toxic hydrogen cyanide upon ruby laser irradiation of the tattoo pigment phthalocyanine blue (2015)Trends in High Performance Liquid Chromatography for Cultural Heritage (2016)Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry (2002)Characterization of Natural Resin Films and Identification of Ancient Coating (2003)A comparison study of alkyd resin used in art works by Py-GC/MS and GC/MS: The influence of aging (2013)Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples (2014)From Nanoparticles to Gels: A Breakthrough in Art Conservation Science (2023)Development of a GC‐MS Method for the Simultaneous Analysis of Latent Fingerprint Components* (2006)An Improved Dye and Lake Pigment Analysis Method for High-Performance Liquid Chromatography and Diode-Array Detector (1996)Towards the identification of dyestuffs in Early Iron Age Scandinavian peat bog textiles (2009)Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS) (2019)
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References

  • 2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
  • 2010New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials177 cited
  • 2023Dyes in History and Archaeology 41127 cited
  • 2004Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden99 cited
  • 2007Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections84 cited
  • 1993The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media81 cited
  • 2011The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography–mass spectrometry76 cited
  • 2003Analytical Pyrolysis as Diagnostic Tool in the Investigation of Works of Art73 cited
  • 2002Characterisation of natural resins by pyrolysis—Silylation61 cited
  • 2001In-situ pyrolysis and silylation for analysis of lipid materials used in paint layers61 cited
  • 2006Chemical imaging techniques for the analysis of complex mixtures: New application to the characterization of ritual matters on African wooden statuettes56 cited
  • 1999Characterization of Organic Azo-Pigments by Pyrolysis-Gas Chromatography49 cited
  • 2010Development of a multiplexed chemiluminescent immunochemical imaging technique for the simultaneous localization of different proteins in painting micro cross-sections

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40 cited
  • 2012Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections36 cited
  • 2008Identification of resinous materials on 16th and 17th century reverse-glass objects by gas chromatography/mass spectrometry35 cited
  • 2003Analysis of proteinaceous binders by in-situ pyrolysis and silylation34 cited
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