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Cited by

• 2017Seeing and Being Seen: The Multimodality of Museum Spectatorship28 cited
• 2022Liminal spaces and the shaping of family museum visits: a spatial ethnography of a major international art museum14 cited
• 2022A geography of UK museums14 cited
• 2025What Makes Exhibitions Ethnographic?12 cited
• 2021Zimbabwe's national museums and monuments: Constructing culture and making money12 cited
• 2016Walking the Museum – Performing the Museum6 cited
• 2018Drawings you can walk on – Mike Parr and the 20th Biennale of Sydney 20165 cited
• 2014Touching the Deep Past4 cited
• 2021Curating Political Subjects: Fashion Curation as Affective Methodology4 cited
• 2022Place, space and object oriented learning methods within the Library2 cited
• 2013disciplining bodies, disciplining objects: Museum Guards and the Museu Etnológico Português (1893–1929)2 cited
• 2022The Gallery Visitor: Initiating Participation through Play2 cited
• 2013Young People in a Gallery with a Digital Camera2 cited
• 2019Exhibiting with Emotion2 cited
• 2014Incorporating the Period Eye