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Albrecht Altdorfer and the Origins of Landscape
0 references·7 citing·27 second hop
Albrecht Altdorfer and the Origins of Landscape (1995)Albrecht Altdorfer and the Origins of Lan…What Is a Parergon? (2019)What Is a Parergon?Why Mountains Matter: Early Modern Roots of a Modern Notion (2017)Why Mountains Matter: Early M…The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England (2013)The Impact of the Netherlandi…Producing the Vernacular: Antwerp, Cultural Archaeology and the Bruegelian Peasant (2011)Producing the Vernacular: Ant…Arts and Minds: Scholarship on Early Modern Art History (Northern Europe) (2006)Arts and Minds: Scholarship o…Science, Art, and the Representation of the Natural World (2003)Science, Art, and the Represe…Contradictory Modernities: Conceptions of Nature in the Art of Joseph Beuys and Gerhard Richter (1997)Contradictory Modernities: Co…The Anatomy of Melancholy (1621)Forms of Nationhood: The Elizabethan Writing of England. (1993)Oxford Dictionary of National Biography (2014)What Is It Like to Be a Bat? (1974)The Production of Space (1992)Creating the semi‐living: on politics, aesthetics and the more‐than‐human (2009)Blasted Landscapes (and the Gentle Arts of Mushroom Picking) (2014)R. A. W. ASSMILK SOAP (2014)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)THE POWER OF IMAGES (1989):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)Likeness and presence: a history of the image before the era of art (1994)Early Anthropology in the Sixteenth and Seventeenth Centuries (1964)Assimilating New Worlds in the Sixteenth and Seventeenth Centuries (1981)Futures Past: On the Semantics of Historical Time. (1987)Frans Floris (1519/20–1570): Imagining a Northern Renaissance (2018)Etymology, Antiquarianism, and Unchanging Languages in Johannes Goropius Becanus's Origines Antwerpianae and William Camden's Britannia (2019)A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1958)The Emergence of a Visual Language for Geological Science 1760—1840 (1976)Cultures of natural history (1997)The Notebooks of Leonardo Da Vinci (1956)Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite (1960)The Notebooks of Leonardo da Vinci (1962)Storied Places (2019)The Truth in Painting (1987)Critique of the Power of Judgment (2000)Critique of the Power of Judgment (2000)
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Cited by

  • 1997Contradictory Modernities: Conceptions of Nature in the Art of Joseph Beuys and Gerhard Richter44 cited
  • 2017Why Mountains Matter: Early Modern Roots of a Modern Notion27 cited
  • 2019What Is a Parergon?9 cited
  • 2011Producing the Vernacular: Antwerp, Cultural Archaeology and the Bruegelian Peasant8 cited
  • 2003Science, Art, and the Representation of the Natural World6 cited
  • 2006Arts and Minds: Scholarship on Early Modern Art History (Northern Europe)3 cited
  • 2013The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England2 cited

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