SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Study of Composers' Sketches, and an Overview of those by Ligeti
1 references·3 citing·12 second hop
The Study of Composers' Sketches, and an Overview of those by Ligeti (2012)The Study of Composers' Sketches, and an …A handbook to twentieth-century musical sketches (2004)A handbook to twentieth-centu…Visions and Decisions (2023)Visions and DecisionsMath and Music, Models and Metaphors: Alberto Posadas' ‘Tree-Like Structures’ (2019)Math and Music, Models and Me…‘New Chaconnes for Old?’ Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer’s Harmonic Language in the Late 1970s (2017)‘New Chaconnes for Old?’ Stev…Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass (2001)Musical Witness and Holocaust Representation (2015)Performance Practice in the Music of Steve Reich (2016)Three models for the description of language (1956)Conceptual Integration Networks (1998)The way we think: conceptual blending and the mind's hidden complexities (2002)A Collection of Critical Essays (1974)The Selected Poetry of Rainer Maria Rilke (1983)Duke Ellington's America (2010)Building Blocks: Repetition and Continuity in the Music of Stravinsky (2012)Tracking the composer’s cognition in the course of a creative process: Stefano Gervasoni and the beginning of Gramigna (2012)Inspiration and decision-making: A case study of a composer’s intuitive and reflective thought (2014)
this work references cited by second hop

References

  • 2004A handbook to twentieth-century musical sketches31 cited

Cited by

  • 2023Visions and Decisions11 cited
  • 2019Math and Music, Models and Metaphors: Alberto Posadas' ‘Tree-Like Structures’3 cited
  • 2017‘New Chaconnes for Old?’ Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer’s Harmonic Language in the Late 1970s2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work