References

• 1998Scenes of subjection: terror, slavery, and self-making in nineteenth-century America1,350 cited
• 2011Racial Innocence: Performing American Childhood from Slavery to Civil Rights835 cited
• 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
• 2007Bodies in dissent: spectacular performances of race and freedom, 1850-1910624 cited
• 1998Raising Cain: blackface performance from Jim Crow to Hip Hop457 cited
• 1998Demons of Disorder: Early Blackface Minstrels and Their World273 cited
• 1996Inside the minstrel mask : readings in nineteenth-century blackface minstrelsy260 cited
• 1977Blacking Up: The Minstrel Show in Nineteenth-Century America192 cited
• 2000Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910148 cited
• 2001Ghana's Concert Party Theatre134 cited
• 2012Burnt Cork: Traditions and Legacies of Blackface Minstrelsy85 cited
• 2009The Amalgamation Waltz: Race, Performance, and the Ruses of Memory79 cited
• 2011Whiting Up69 cited
• 1999Resistance, parody, and double consciousness in African American theatre, 1895-191058 cited
• 2006The last "darky"48 cited