Views of Haarlem: A Reconsideration of Ruisdael and Rembrandt

Abstract

Jacob van Ruisdael's landscape views of the Haarlem vicinity juxtaposed with linen-bleaching fields and Rembrandt's Goldweigher's Field manifest pride in that city. The name “Haarlemmer bleek” (Haarlem bleach) was given to any linen bleached around Haarlem or neighboring communities. Only Haarlem-affiliated bleaching was depicted in such painted views even though the industry existed elsewhere. These images are analogous to contemporary maps in format — that of a bird's-eye view — and in function — depiction of a city's landmarks and industries. The unique market for Ruisdael's and Rembrandt's imagery resulted from the international success of the “Haarlemmer bleek” which was praised in poetry and city histories.

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