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I examine the use of maps in Guy Delisle’s comic Pyongyang. Focusing on the overt manipulation of cartographic techniques, I show how the cartoon map attains accuracy not by hiding, but by accentuating the fictional techniques that went into its making.
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Stored only when both papers are in the corpus — 7 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.