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Structure and expression in the scènes of Rameau's Hippolyte et Aricie
8 references·2 citing·29 second hop
Structure and expression in the scènes of Rameau's Hippolyte et Aricie (1998)Structure and expression in the scènes of…Remaking a cultural icon: Phèdre and the operatic stage (1998)Remaking a cultural icon: Phè…Eighteenth-Century Models of French Recitative (1995)Eighteenth-Century Models of …Rameau reading Lully: Meaning and system in Rameau's recitative tradition (1994)Rameau reading Lully: Meaning…Rameau and Musical Thought in the Enlightenment (1994)Rameau and Musical Thought in…Vincent d'Indy and the Rameau Oeuvres completes: a case of forgery? (1993)Vincent d'Indy and the Rameau…Rameau, Pellegrin and the Opera: The Revisions of 'Hippolyte et Aricie' during Its First Season (1983)Rameau, Pellegrin and the Ope…La Dramaturgie Classique en France (1951)La Dramaturgie Classique en F…L'Opera de Rameau (1931)L'Opera de RameauDramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment (2013)Dramatic Expression in Rameau…What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs (1999)What recitatives owe to the a…Course in General Linguistics (1960)The Responsibility of Forms: Critical Essays on Music, Art, and Representation (1986)Racine Redux?: The Operatic Afterlife of Phèdre (1998)The Composer's Eye: Focalizing Judith in the Cantatas by Jacquet de La Guerre and Brossard (2012)Course in General Linguistics (2013)A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries (1983)Opera in Seventeenth-Century Venice: The Creation of a Genre (1992)Listening in Paris: A Cultural History. (1995)Dictionnaire de musique (1826)Les deux Versions du "Dardanus" de Rameau (1954)The New Grove dictionary of opera (1993)Opera in Paris from Campra to Rameau (2009)Galant Recitative Schemas (2015)Linguistics and Literary History (1949)Reflexions critiques sur la poésie et sur la peinture (1967)Les Beaux Arts Reduits a UN Meme Principe (1988)Feminine Endings: Music, Gender, and Sexuality (1992)French Baroque music from Beaujoyeulx to Rameau (1998)Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)The orchestral revolution: Haydn and the technologies of timbre (2013)The plague, a metal monster, and the wonder of Wanda: in pursuit of the performance style (2011)‘Le théâtre ne change qu'à la troisième scène’: the hand of the author and unity of place in Act V of Hippolyte et Aricie (1998)Pellegrin, opera and tragedy (1998)The Cambridge History of Literary Criticism (1997)The Cambridge History of Literary Criticism (1999)Theories of poetry: Latin writers (1999)Enlightening Harmonies: Rameau's corps sonore and the Representation of the Divine in the tragédie en musique (2012)Dance and drama in French baroque opera a history (2016)
this work references cited by second hop

References

  • 1994Rameau and Musical Thought in the Enlightenment213 cited
  • 1951La Dramaturgie Classique en France196 cited
  • 1993Vincent d'Indy and the Rameau Oeuvres completes: a case of forgery?21 cited
  • 1931L'Opera de Rameau16 cited
  • 1995Eighteenth-Century Models of French Recitative13 cited
  • 1994Rameau reading Lully: Meaning and system in Rameau's recitative tradition12 cited
  • 1983Rameau, Pellegrin and the Opera: The Revisions of 'Hippolyte et Aricie' during Its First Season11 cited
  • 1998Remaking a cultural icon: Phèdre and the operatic stage6 cited

Cited by

  • 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment4 cited
  • 1999What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs3 cited

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