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Popular Culture and Oral Traditions in African Film
6 references·5 citing·32 second hop
Popular Culture and Oral Traditions in African Film (1988)Popular Culture and Oral Traditions in Af…Cinema and Social Change in Latin America: Conversations with Filmmakers (1987)Cinema and Social Change in L…Third Cinema in the Third World: The Aesthetics of Liberation (1985)Third Cinema in the Third Wor…Film Theory and Criticism (1985)Film Theory and CriticismWOMEN AND FILM (1983)WOMEN AND FILMFilm theory and criticism (1979)Film theory and criticismThe Imaginary Signifier (1975)The Imaginary SignifierWaiting for (African) Cinema: Jean-Pierre Bekolo’s Quest (2018)Waiting for (African) Cinema:…Rouch's Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film (2013)Rouch's Reflexive Turn: Indig…Authorship and criticism in self-reflexive African cinema (2011)Authorship and criticism in s…The End of the Line: Africa, Death, and Freedom in Caribbean Cinema (2001)The End of the Line: Africa, …Visual "Literacy": A Theoretical Synthesis (1993)Visual "Literacy": A Theoreti…Visual Pleasure and Narrative Cinema (1975)Difference and repetition (1994)The Wretched of the Earth (2000)Time and the Other: How Anthropology Makes Its Object (1983)Writing Culture: The Poetics and Politics of Ethnography (1986)Mimesis and alterity: a particular history of the senses (1993)Participatory Visual and Digital Research in Action (2016)The Biological Foundations of Language (1967)Knowledge of Language: Its Nature, Origin, and Use. (1988)Language and Species (1990)Images Trapped in Two Discourses: Photojournalism Codes And the International News Flow (1994)Strategic illiteracies: the long game of technology refusal and disconnection (2022)Third World Film Making and the West (1988)The repeating island: the Caribbean and the postmodern perspective (1993)The Repeating Island (1996)Africans filming Africa: Questioning theories of an authentic African cinema (2000)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Ecocinema Theory and Practice 2 (2022)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)New Vocabularies in Film Semiotics (2005)Visual Management Studies: Empirical and Theoretical Approaches* (2012)Popular culture and professional identity: Accountants in the movies (1994)Black and White: Mercedes de Acosta's Glorious Enthusiasms (2001)Audiovisual Translation: Subtitling for the Deaf and Hard-of-Hearing (2006)The Production of Outrage: The Iraq War and the Radical Documentary Tradition (2007)Fear of the Trannies: On Filmic Phobia of Transvestism in the New Latin American Cinema (2008)Militant Third World Film Distribution in the United States, 1970-1980 (2015)The queen Christina tie‐ups: Convergence of show window and screen (1989)Packaging Reality (2004)Feminist theories and media studies (1987)Invisibility, homophobia and heterosexism: Lesbians, gays and the media (1993)THE POLITICS AND POETICS OF DANCE (1998)
this work references cited by second hop

References

  • 1983WOMEN AND FILM354 cited
  • 1985Film Theory and Criticism298 cited
  • 1975The Imaginary Signifier279 cited
  • 1979Film theory and criticism230 cited
  • 1985Third Cinema in the Third World: The Aesthetics of Liberation190 cited
  • 1987Cinema and Social Change in Latin America: Conversations with Filmmakers75 cited

Cited by

  • 2013Rouch's Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film21 cited
  • 2011Authorship and criticism in self-reflexive African cinema12 cited
  • 1993Visual "Literacy": A Theoretical Synthesis12 cited
  • 2001The End of the Line: Africa, Death, and Freedom in Caribbean Cinema7 cited
  • 2018Waiting for (African) Cinema: Jean-Pierre Bekolo’s Quest6 cited

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