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The Passion Signified: Imitation and the Construction of Emotions in Sidney and Wroth
15 references·4 citing·30 second hop
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References

  • 1986The Player's Passion: Studies in the Science of Acting534 cited
  • 1997Strange fits of passion: epistemologies of emotion, Hume to Austen494 cited
  • 1936The Arte of English Poesie414 cited
  • 2000Passion and Action: The Emotions in the Seventeenth Century Philosophy256 cited
  • 1962The Poems of Sir Philip Sidney247 cited
  • 2013Doing What Comes Naturally229 cited
  • 1891The countess of Pembroke's Arcadia140 cited
  • 1987Literary Theory/Renaissance Texts127 cited
  • 1995The emperor of men's minds: literature and the Renaissance discourse of rhetoric98 cited
  • 1999Passion and Action83 cited
  • 1969Classical Rhetoric in English Poetry69 cited
  • 1998Renaissance Culture and the Everyday62 cited
  • 1989:Representing the English Renaissance46 cited
  • 1994The art of rhetoric (1560)31 cited
  • 1996:Inwardness and Theatre in the English Renaissance24 cited

Cited by

  • 2015The Poetics of Consolation and Community in Mary Wroth’s Pamphilia to Amphilanthus14 cited

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  • 2007Romance, Sleep, and the Passions in Sir Philip Sidney's The Old Arcadia4 cited
  • 2005“Philargus' House Is Not in All Places”: Marriage, Privacy, and the Overheard Lament in Mary Wroth'sUrania3 cited
  • 2005Men Who Weep and Wail: Masculinity and Emotion in Sidney's New Arcadia3 cited